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TV Presentation

BBC Two today at 2:45pm, before Yes, Minister:

TWO symbol

“You’re watching Afternoon Classics on Two. Now, in a tribute to Sir Antony Jay who died on Sunday, co-writer of one of BBC Two’s most witty, sharp, satirical comedies of the 80s. In the corridors of power, politics was never more popular… with Yes, Minister and Yes, Prime Minister.”

BBC Two today at 3:15pm, after Yes, Minister:

Anthony Jay obit caption

Sometimes, when somebody dies, you don’t need schedule changes. You don’t need to drop everything to run a tribute programme right now. Nor do you need endless rolling news coverage.

Sometimes, a thoughtful continuity announcement and an obit slide is enough. Enough to show that a channel is alive, that it cares about its output, and that it’s respectful of the talent which made the channel what it is.

Sometimes, that’s all you need to prove that there really are real people working on a channel, who are there to add context and do what linear television is best at… instead of doing all the work weeks ago, then buggering off and leaving the channel to just be a box running pointlessly in the corner.

Sometimes, a little thought is all that matters. No fireworks. No razzmatazz. No fawning. Just a channel calmly doing its job.

Hark at Barker

TV Presentation

Yesterday there was a bit of consternation about a late schedule change forcing coverage of Wimbledon onto BBC Four and postponing Top of the Pops for an hour. For various reasons I can’t really talk much about that, although expect a THRILLING article about schedule changes generally on here at some point.

I would, however, like to point out something about how Sue Barker ended the show. Over a beauty shot from the grounds:

“Now, coming up next on BBC Four it is Top of the Pops 1982, and it’s a good year for music. A vintage year for tennis as well; Jimmy Connors beat John McEnroe here, and also Martina Navratilova beat Chris Evert. So, that is next here on BBC Four, but I hope you enjoyed our coverage at Wimbledon – we’ll be back with more tomorrow at 11:30. Clare Balding will be here with Today at Wimbledon, that’s at 9:30 on BBC Two. But for now, from Wimbledon, goodbye.”

It’s simply one of the most skilful bits of presenting I’ve ever heard.

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24 Hours in Channel 5 TX

TV Presentation

Recreation of the 1997 Channel 5 logo - with thanks to Danny Stephenson

TX. Presentation. Playout. Whatever you call it, they’re the people responsible for taking the programmes, promos, adverts and continuity, packaging it all up, and making sure you have something to watch on your television… with the absolute bare minimum of breakdown captions. Yet oddly enough, despite the interest in the subject on many forums, there’s really very little writing online about what it’s actually like to work in transmission.

Last year, I left Channel 5 TX, having been there for a year and a half – and I thought people might be interested in a few details. What the bloody hell do we actually do all day, apart from sit and watch telly? Here’s your answer.

A few points first, however. Don’t expect any dirt to be dished – much as I’m sure it’d be entertaining to hear me whinge on, it’s not gonna happen. Also, there are certain confidential things which I’d love to be able to talk about, but can’t because… well, they’re confidential. Sorry about that. I can guarantee, however, that none of that affects what I have to say too much. Whilst some of the stuff I’ve had to leave out is really interesting, I think the below still represents the job pretty damn well.

Finally, and I can’t stress this enough: the below is just my perspective on the job. In no way whatsoever does it represent the views of Channel 5, or any of its partner companies.

Right, let’s get started, shall we?

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On Automation.

TV Presentation

A picture of a playlist

Picture the scene. You’re sitting there watching television, and something bad happens. Maybe it’s a voiceover in the wrong place, over the last scene of the programme instead of the end credits. Maybe the channel goes to an ad break in the middle of a scene. Maybe the first part of a programme keeps repeating over and over again. Maybe the aspect ratio has all gone to shit. Maybe it’s a full-blown breakdown, badly-dealt with and with no apology.

And across the internet, the familiar lament goes: “Tch, automation, eh?”

Except: it isn’t. Automation doesn’t really have anything to do with it at all. And I’m going to do my best to convince you. So what does cause complete inanities to go to air?

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The First TX Suite I Ever Worked In

TV Presentation

Photograph of a TX suite

Well, not really worked in. More worked by. First in a room next door, transferring material from tape to playout server, and then in the other room next door doing scheduling. But it’s the first TV place I went to where I actually got paid money for being there… so it has a special place in my heart. I don’t wish to romanticise too much, but I always got a little thrill as I walked through the room and saw that bank of monitors.

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The Wrighty Dead

TV Presentation

The other day, I did a post about how much I loved a series of promos Channel 5 showed last year.1 It reminded me of the above: a promo that – as far as I’m aware – Channel 5 never actually broadcast.

It’s hardly surprising, really. I loved the Ask an Aussie promos because they were perfectly targeted and entertaining in their own right. The above promo cross-promotes – of all things – The Walking Dead and… The Wright Stuff. It’s one of the most entertaining TV promos I’ve ever seen… but how the bloody hell would you schedule it? The tone is entirely unsuitable for daytime, but it doesn’t really make that much sense to promote a daytime talk show late at night either.

But then, that’s the fun. The total incongruity of it all. Any promo which ends with Matthew Wright surrounded by a horde of killer zombies has to be worth something. (It has some particularly good sound design, too.) Just try to ignore the fact that – as with a lot of their US dramas – Channel 5 went on to drop The Walking Dead from its schedule. Ahem.

Fun fact: the breakdown loop that features during the promo is the actual breakdown loop Channel 5 uses if there is a problem, and the announcer is one of the actual Channel 5 continuity announcers. A bit of artistic licence is used for how quickly that announcement would make it to air, mind…


  1. Disclaimer, in case you didn’t read it in the last article: I worked in Channel 5 TX until earlier this year. 

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Ask an Aussie

TV Presentation

Here’s something I doubt many people reading this site will have seen: a Channel 5 filler from 2013 called Ask an Aussie.1 (There’s also a shorter version on YouTube, which has worse picture quality but includes some funny sections the above version lacks.)

For a start, this wins points simply for being a specially-shot promo, rather than just being a montage of clips stuck together or using EPK material. I don’t wish to denigrate the art of putting together promos using show clips too much; done well they can be absolutely incredible. But some of my favourite promos have come from using specially-shot material, and it just doesn’t happen enough these days for drama and comedy. Maybe the trailer for Psycho is the most famous example, but what sitcom wouldn’t benefit from something like this? Or this? It’s a shame so many programmes rely on just clip-based trailers these days.

OK, so maybe this promo isn’t quite in the same league as those examples. But it’s still lots of fun, and rather more effort than most people would expect Channel 5 to go to.2 What I especially love about it is that it does something else that’s not done enough these days: it ties the whole channel together. Of course it’s ostensibly promoting the channel’s two big Australian soaps, Home & Away and Neighbours. But it also manages to beautifully incorporate loads of other Channel 5 shows: Robson’s Extreme Fishing Challenge, Cowboy Traders, Benidorm ER, Eddie Stobart. A proper, Channel 5 brand trailer… without just sticking together clips from a load of shows with a Channel 5 logo slapped on the end.

Of course, the intention with this this is all about building brand loyalty with the channel, etc, etc, etc. Crucially, though, the makers of the promo don’t forget that in order for this to work, it has to be entertaining in its own right. As all the best adverts are. Three minutes of fun, which also does its intended job at the same time.

Something original, that grabs your attention, with actual effort put into it, and is entertaining at the same time? I wish more TV promos were made this way.


  1. Disclaimer: I worked in Channel 5 transmission until earlier this year. 

  2. Which is unfair, as they actually have an awful lot of nice touches to their trails and continuity. This unusual but very effective take on a channel menu is a case in point. 

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Wankety Wank!!!!!!!!!11111111

TV Gameshows / TV Presentation

On Friday, Challenge did the best thing since they acquired the rights to Knightmare again: the start of a repeat run of Les Dawson Blankety Blank episodes. I honestly – no joke, no exaggeration – count them as some of the best, funniest television ever made.

Sadly, take a look at the video above, taken from the end of the second episode. At 18 seconds in, I’m afraid I made an extraordinary noise.

To Challenge’s credit, they apologised – if only all TV stations would do that when things like this happened. Despite my childish headline, they get huge bonus points for that, and it’s something other channels could learn from. The problem is, it’s not even that unusual for programmes to be ruined in this fashion – and most of the time, there’s not a snifter of an apology.

So, a plea. To all television schedulers in this world – and, indeed, anyone who happens to pass an eye over end credit DVE offsets (they are generally scheduled these days, rather than an operator manually pressing a button) – please, please get this right. There is very little which hurts viewer experience more than misplaced credit shrinking over the final part – the climax – of a show. It absolutely kills it.

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Welcome Home to ITV?

TV Presentation

My first reaction when I heard ITV1 was going to change back to ITV in early 2013 was the same as most presentation fans of a certain era – a collective yawn. Ya boo sucks, who cares what boring old ITV is doing these days?

That is, until a couple of things caught my eye. Firstly, this little tidbit from the Broadcast article linked to above:

“The changes are being led by ITV’s group marketing and research director Rufus Radcliffe, who joined the broadcaster from Channel 4 in April last year. Radcliffe’s in-house strategy at C4 saw him relaunch E4 and More 4, as well as introducing C4’s floating logo idents.”

C4’s floating logo idents? AKA, the best current terrestial idents by a mile? INTERESTING. (Mind you, Channel 4 may be unique in never having a bad identity. Yes, even the circles era. Shut up.)

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GOLD “Summer” Promo

TV Presentation

Here’s a slightly bizarre promo running on GOLD at the moment, which is a good example of how to take an interesting idea and do it in the trademark GOLD irritating way:

I’m certainly not posting this for its quality, but I thought it was worth mentioning just because it’s quite rare for television itself talks about scheduling and transmission to the general public, especially in promos and the like. Feels very odd. Could have been great in the right hands.

Anyway, transmission is more exciting than scheduling, natch.

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