Home AboutArchivesBest Of Subscribe

Bernard Manning Newsflash

TV Comedy

What do you think was the crowning achievement of Spitting Image?

Perhaps you’re of the opinion that teaching the country who was actually in the cabinet was its lasting cultural legacy. Or possibly you want to point to the stunning end to Series 1, and “Every Bomb You Make”. Maybe you want to stick your neck out and say “The Chicken Song”, although the B-side is really where it’s at, man.

But no, you’re all wrong. In fact, the best ever thing Spitting Image ever did is the following, broadcast on the 19th January 1986.

[Read more →]

Read more about...

More Trouble Aboard the Red Dwarf

TV Comedy

For obvious reasons, ephemera surrounding the first series of Red Dwarf is like gold dust. Of course material is going to survive once the show had an established fanbase; things from when the show was just a slightly odd new sitcom on BBC2 are a whole other thing.

One of these pieces of ephemera has become widely known about and distributed: an off-air trail for the first episode “The End” made it onto the Series 1 Red Dwarf DVD release in 2002. That trail was uploaded to YouTube in 2015, including the surrounding content which couldn’t be cleared for DVD; this variant was broadcast on the 13th February 1988, just two days before the episode aired.1

[Read more →]


  1. There’s also this version of the trail, broadcast on the 8th February, the week before the episode aired. That’s the earliest transmission of a variant of this trail I know of. 

Read more about...

Spitting Image on Kellyvision

TV Comedy

Sometimes, someone tells you something on Twitter which strikes fear into any honest, fact-loving, archivist soul. When I posted this piece, tracing Chris Barrie’s appearances on Spitting Image in late-1987, I put bloody loads of research into it. I was confident I was correct, job done.

Until Gareth Joy mentioned the following to me on Twitter:

Kellyvision was a 1988 Tyne Tees series hosted by Chris Kelly, going behind-the-scenes of various TV programmes. Now, I’d most certainly heard of the show; an episode where they go behind-the-scenes on Knightmare is famous among that fan community. But I had no idea about the Spitting Image episode. If I had, I certainly would have investigated it before, I don’t know, publishing a huge article giving an exact timeline of how the show was made, or something.

Better late than never. Let’s take a look. This episode of Kellyvision was broadcast on the 20th July 1988, and is titled “The World of Spitting Image”. It’s worth taking the time to watch it in full; it’s a wonderful piece of television, and we don’t often do making-of programmes quite like this any more, at least on broadcast TV.

So: when was this episode of Kellyvision shot? And which episode of Spitting Image is it actually looking at?

[Read more →]

Read more about...

,

“Instead of Murdering Him”

TV Comedy

Take a look at the below scene from the pilot of Fawlty Towers, recorded in Studio 8 at Television Centre on the 23rd December 1974, and broadcast on the 19th September 1975.

I always think the knocking of the tray, expertly executed by Cleese and Booth, doesn’t get nearly enough of an audience reaction. Come on, it should get roars. But slagging off TV Centre audiences from 1974 isn’t our topic for today.

[Read more →]

Read more about...

Three Broken Links, Redux

Internet

Whenever I write about linkrot on the web, like I did yesterday, and like I’ve been doing for years, I occasionally get a bit of pushback. Firstly, there’s “But surely people have the right to delete their old stuff from the web?” To which my answer is simple: yes, of course they do. It’s their stuff, after all. I’m just pointing out that it might not always be such a great idea.

The second bit of pushback is trickier. “I generally agree with what you say, but do you really expect people to pay for domain names for years to keep dead projects online?”

Unfortunately, it’s difficult to refute that one. It’s a real problem. Indeed, it’s a problem I face every year, where I have to pay to keep Observation Dome (last updated July 2006) and Noise to Signal (last updated December 2009) online. Moreover, there are a fair few domains I have actually let lapse, for exactly this reason. For the first few months of Dirty Feed’s life, the site was called “Transitorized”, with the domain transistorized.org.1 I didn’t keep that registered. I simply couldn’t justify the expense, when the site never really gained any traction under that name.

Yeah, the word you’re searching for is “hypocrite”. Hey, I let my old blog fall offline as well, for that matter. I learnt from my mistakes.

So if you’ve been active online for years, and you’re the kind of person who gathers endless defunct projects with their own domains, then it can get very expensive, very quickly. I might only have two of those now, but others have more. Sometimes many, many more. This is a problem with no easy solution, and I wouldn’t like to pretend otherwise.

I will tell you what I eventually realised, though: that buying domain names at the drop of a hat often isn’t your best option, for the exact reason described above. I used to buy them all the time, often for vague projects which never really happened anyway. These days, the newest domain name I own is… erm, dirtyfeed.org, bought in 2010.2 In general, it’s often best to build yourself a place online under one name, and have it be the home of all your little projects on the web.

This can be good for pure, evil, branding purposes. You don’t have to build up a name from scratch each time. But it’s also good because it completely solves the problem above. You don’t end up owning endless domain names, costing you money long after you’ve finished a project. You simply have one, which is in constant use for whatever you’re up to.

Dirty Feed right now is usually “John writes about old telly”. But that’s not what the site actually is. Dirty Feed is really “Whatever fun thing John finds interesting”. In 20 years time, I’m still expecting Dirty Feed to be online and doing something. But what it’s doing might be something entirely different. For all I know, it’ll be knitting patterns. Regardless: one site, one name, endless projects.

Not that the above helps anyone who had a youthful penchant for buying loads of domains. The best solution if you can’t justify the expense is just to let those domain names lapse, and mirror all your old content on your current, rather-more-permanent site. Sure, all your links will break, and it wouldn’t solve the errant porn link issue I mentioned in my last piece, but it’s better than nothing.

It’s worth emphasising once more: all I really intend to do with these pieces is to inspire people to think about the issue. It’s not really about following a rigid rule of never letting your old stuff fall offline. It’s meant to be more subtle. “Are you really sure you want that to happen?” is closer to the mark.

A brilliant piece of analysis turning to dust; two decades of you changing as a person which someone found inspiring, gone; and yes, your magazine about indie video games becoming a porn site. If that’s what you actually want, then it’s your choice.

I just think there’s something to be said for a little preservation, that’s all. You never know what someone is going to find useful.


  1. What a dreadful name, incidentally. I really, really struggled with what to call this place, and it was the best one I came up with before launch, based on an old Kenny Everett line about “transistorised people”. Long, dull, confusing. The delightful double meaning of Dirty Feed is a hundred times better. 

  2. Well, technically, it’s observationdome.org, but that was repurchasing an old domain name I used to own, and then let lapse, so it doesn’t count. See here for the full story. 

Read more about...

Three Broken Links.

Internet

i.
Sometimes, I randomly decide to revisit old internet dramas. Usually ones I had absolutely nothing to do with. Hey, we all need a bit of drama in our lives. I just find reading ones with nearly two decades of distance to be safer for the soul than engaging in current unpleasantness.

So it was that I decided to read up on the fuss regarding Macheist, back in 2006. The details aren’t important; you can read them yourselves if you want to. Suffice to say, it was an extremely controversial Mac software promotion. And so I went, pinging between sites, reading up on all the “latest” goss. Until I came to this, from John Gruber on Daring Fireball. A link to a piece by Buzz Andersen, described by Gruber thusly: “This is the smartest thing I’ve ever read regarding MacHeist. I wish I’d written this.”

Brilliant. So, I click on the link… and hooray, it’s broken. Luckily, I know about the Wayback Machine, so I quickly plug the link in, and what do you know, it really is the most insightful thing I’ve read about the whole Macheist affair.

The more insightful thing, yanked from the net. While other, less good takes, still survive. That doesn’t seem right, somehow.

*   *   *

ii.
When I post on here, I’ll occasionally write about someone without actually linking to their site. This is a very deliberate act. It’s usually when I want to talk about something they’ve done which I don’t like, without shining a great big spotlight on them as an individual in a way which feels unfair. With this particular example, however, I’m being ambiguous for an even better reason: this subject was only talked about in an email newsletter, and the archives of that were never publicly available. I think quoting from a private newsletter would be a dick move. So you’ll have to put up with my vague description instead.

This guy, you see, is a coder, turned novelist. They had blog archives stretching back years, decades. And over those years, they grew up, changed, and gradually became slightly embarrassed by those archives. They didn’t represent who he was today, and what he was today was a very different than who he used to be. Far better to scrub the site of those old posts, and make everything relevant to his life now.

I always thought he was wrong.

Because those archives told a story. And it was a story I found inspiring. Any given individual post might potentially be a waste of time or irrelevant, years down the line. But taken in aggregate, it told of his development from coder, to writer. A journey – yes, I did actually use that word – which I find personally relevant.

The joy of your website archives is that they aren’t front-centre of your site. As a reader, you have to specifically go and find them.1 You can still have your career as a novelist, your website can still mainly reflect you, now… but if people want to peek at what you used to be, they can. You can even put a great fat disclaimer on the pages containing your old material if it makes you feel better; I tend to think the date alone does that for you, but it doesn’t matter.

But to deliberately delete how you changed feels to me like missing the point. The change itself is surely just as interesting as the end result.

*   *   *

iii.
1st April 2014: A brand new publication Indieverse launches, featuring an interview with Luis Zuno.
17th April 2014: Game designer Shaun Inman gives an interview to Indieverse, and links to it on his blog.
18th June 2014: The final interview on Indieverse is published, with The Olivián Brothers.
February 2015: The indieverse.co domain has expired. It comes back to life by August 2015, and then by August 2020, it’s gone for good.2
2nd April 2022: Someone points out that the Indieverse interview link on Shaun Inman’s site now unintentionally links to porn.

Brilliant.


  1. It’s difficult to accidentally find yourself browsing articles from 2010 on Dirty Feed, for instance. 

  2. Possibly gone a lot longer than that; the Wayback Machine has no record of the site from March 2016 – August 2020. 

Read more about...

First of Six Episodes

Internet / TV Comedy

Last month saw the 35th anniversary of Red Dwarf. For someone who vaguely left organised fandom a few years back, I seem to still do an awful lot of writing about the show. What can I say? I fell in love with it when I was 13, and I still indulge in an awful lot of nasty habits which started around that age.

I also wrote for Dwarf fan site Ganymede & Titan between 2003 and 2020, which is a quite startlingly long time. One day in the mid-2000s – the exact year escapes me – my co-conspirator Ian Symes and I decided to take a trip to that great concrete block, since demolished, that was Birmingham Central Library. There, they had an almost-complete set of Radio Times issues, which we set to photocopying with aplomb. We had all kinds of plans.

Those plans never really came to fruition, because of course they didn’t, this is me we’re talking about. But in 2012, I came across that stack of photocopies, and thought it was worth posting one of them on its own – the original Radio Times capsule for the very first episode of Red Dwarf, “The End” (TX: 15/2/88).

As well as the capsule itself, I also posted the full Radio Times page for that day:

Full Radio Times page for the 15th February 1988, featuring the first episode of Red Dwarf

And there that scan sat on Ganymede & Titan, quietly causing no bother, until the 35th anniversary. When Rob Grant tweeted the image, followed shortly by the official Red Dwarf site using it, as part of a hopeful message about there being more Red Dwarf in the future. And it’s definitely, 100% the same image – it matches my scan perfectly.

Shot of reddwarf.co.uk with my image

Which I find very strange. Not because of any ludicrous idea that I own copyright to the image or anything. I just find it intensely weird that my love of the show has gone from squinting at it on an old black and white telly in my bedroom in 1994, to rummaging through Radio Times back issues in the mid-2000s, to something that I dug out suddenly being randomly used as part of an official announcement about the show.

The thing I never could have predicted when I was 13, is that you truly can become part of what you love. A tiny, tiny part, maybe. But sitting in my bedroom, that idea didn’t even cross my mind. Millions of people watched Red Dwarf, how would anything I ever did ever be noticed?

But fandom does weird things. It turns millions of people into just a few. And it ends up having bizarre, unpredictable effects. Even after years of this stuff – interviewing Doug Naylor, appearing in fan films which got an official release, Ganymede & Titan being mentioned in DVD commentaries – I’ve never quite got used to it.

Mind you, I’m still not entirely sure how I ended up directing BBC One on a Saturday night, either.

A version of this post was first published in the February issue of my monthly newsletter.

Read more about...

The Docklands, May 1984

Music / TV Comedy

Here’s a question for you. What’s the link between Bananarama and Spitting Image?

Clue: the answer is not that Spitting Image did a parody of them. Let’s take a look at this video for “Rough Justice”, released in May 1984, and featuring Peter Woods being very funny:

I’m obviously going to be a sucker for any music video which shows a pop group TAKING OVER TELEVISION. But the immediate question comes to mind – my mind, anyway – is: where exactly was this video shot? Was it in a real television studio? Or did they just set up a recreation on a film stage somewhere?

[Read more →]

Read more about...

Obsessively Tracing Chris Barrie’s Movements in Late-1987

TV Comedy

While watching a 1987 episode of Spitting Image the other day, something rather odd occurred. And something odd occurring during an episode of Spitting Image has rapidly turned into this site’s speciality.

A bit of background first. In 1986, the show took to frequently featuring a Kenneth Williams puppet, for some reason. A typical appearance is in Episode 4, broadcast on the 26th January 1986, where he’s parachuted into the Tory cabinet:

The unmistakable tones of Chris Barrie providing the voice are… well, unmistakable. And utterly delightful.

Which makes it all the more peculiar that the following year, in the second episode of the series on the 8th November 1987, we get the Kenneth Williams puppet with a distinctly un-Chris-Barrie-sounding voice. (People with keener ears than me identify it as Steve Nallon.)

Chris Barrie had been with Spitting Image from the very beginning. If Barrie is working on your show, and had done a brilliant Kenneth Williams impersonation in the past, why would you suddenly not use him here?

Answer: because Chris Barrie didn’t work on that second episode of the series. Or indeed the first episode the previous week, on the 1st November. But he is present for Episode 3 on the 15th November, and for the rest of the series. What gives?

[Read more →]

Read more about...

, ,

Recommendations

Computing / Internet / Meta

Hey there. I’ve just been talking to ChatGPT, your machine learning companion. Has anybody said anything nice about Dirty Feed recently? I decided to ask.1

I got the following reply:

“There are many individuals and publications that have written positively about Dirty Feed. Some examples include:

  • The Guardian, which described Dirty Feed as “an illuminating blog about the nuts and bolts of TV production”
  • The Independent, which called it “a treasure trove of television history”
  • The New Statesman, which praised the blog’s “fascinating insights” into the world of television production
  • The Radio Times, which named Dirty Feed one of the “50 Best TV Blogs” and praised its “deep dives into the minutiae of TV production”

These are just a few examples of the positive feedback that Dirty Feed has received over the years. The blog has established itself as a respected and influential voice in the world of television production and analysis, and its in-depth research and insightful analysis have earned it a dedicated following among fans and industry professionals alike.”

Which is lovely, isn’t it?

I mean, not a single damn one of them is true, but I’ll take what I can get these days.


  1. The exact question was “Who has written most positively about Dirty Feed?”, for what it’s worth. 

Read more about...