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The Voice of Youth

TV Comedy

It somehow seems fitting that the very first thing recorded in studio for The Young Ones was one of its most well-remembered sketches. On the 23rd January 1982 at 7:30pm, without a studio audience – it was played in for their reaction the following night – Nozin’ Aroun’ was put in front of the cameras.

“Well, I’m standing up here on this scaffolding because that’s what this programme is all about – shock.”

The inspirations for Nozin’ Aroun’ are clear: a parody of TV “for young adults, made by young adults”, most obviously Something Else (1978-82) and the Oxford Road Show (1981-85). The latter is often mentioned in connection to The Young Ones, as Ben Elton made several appearances on it. A person contributing to the real thing… and also doing a parody of it. The link is irresistible.

Irresistible… and yet often slightly confused, especially when it comes to the chronology. For instance, BFI Screenonline tells the following story:

“But by the late 1980s Elton had decisively emerged from behind the typewriter. Although he had had some onscreen experience (even parodying his Oxford Road Show appearances in The Young Ones‘ mock youth TV programme Nozin’ Aroun’), it wasn’t until he became the regular host of Channel 4’s alternative comedy variety show Saturday Live (1985-87) and its successor Friday Night Live (1988) that his face became as famous as his scripts.”

So the Oxford Road Show appearances came first, and then The Young Ones. And yet on the DVD commentary for “Demolition”, the Young Ones pilot, with Paul Jackson and Geoff Posner1, we get:

PAUL JACKSON: Funnily enough, he [Ben Elton] went on to present the Oxford Road Show of which this is in fact a parody.
GEOFF POSNER: Absolutely. Oxford Road Show used to be a sort of youth show, done from Manchester, Oxford Road studios in Manchester, and he ended up sending himself up.
PAUL JACKSON: And then, having sent himself up, presenting the show.

Jackson and Posner seem to be talking at cross-purposes here; Jackson thinks The Young Ones came before Ben’s Oxford Road Show work, while Posner seems to think it came afterwards. It’s all a bit confusing. After all, how can you send yourself up in this fashion before you’ve appeared on the real show?

Still, the idea that Ben is directly making fun of his own work in Nozin’ Aroun’ is a fun one. It’s not difficult to imagine the thought process here, once you’ve disentangled the temporal confusion. Ben did some embarrassing early appearances on the Oxford Road Show, finally got a show of his own, and used it to mercilessly take the piss out of how awful he was on it. Or at the very least, how awful everybody was around him.

The truth is altogether more interesting.

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  1. Paul Jackson produced the pilot, so is an obvious choice for this commentary. Posner is perhaps slightly odd; he only joined the production for the rest of Series 1, as Associate Producer/Director. But we do get the story of Posner overhearing Jackson editing the pilot of The Young Ones deep within the bowels of the BBC, which probably makes it worth it. 

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In Place of Helen

TV Comedy

Here’s a question for you. Exactly how many opening title sequences did Drop the Dead Donkey have? I suspect the answer is: more than you think.

After all, to answer the question properly, we can’t just go by the broadcast material. In 2005, the DVD release of the first series contained the unbroadcast pilot, shot a couple of weeks before the series made it to air. These titles had the same visuals as Series 1 of the show as broadcast, but an entirely different theme tune, by Philip Pope:

I remember the utter shock of seeing – well, hearing – those titles for the first time. Truth be told, after that initial shock wore off, I don’t mind them that much. But teletype noises not withstanding, it really feels more like a chat show theme than a news theme. Drop the Dead Donkey is probably unique as a comedy which ended up working better without a theme from Pope.

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Everyone on One Side of the Table in the Restaurant

TV Comedy

Here’s one of my very favourite sketches from End of Part One, Renwick and Marshall’s magnificent sketch show which eviscerated contemporary television in much the same way Python did a decade earlier.1 It’s from Series 2 Episode 3, broadcast by LWT on the 26th October 1980.

Warning: contains a slang term for gay men near the top which I think is entirely satirically justifiable, but some of you may not enjoy.

It’s difficult to pick my favourite thing in that sketch. Obviously, there are a million and one sketches in the world which would benefit from being cut in half and adding ETC in big letters to the end. But I think the most devastating line in it has to be:

Second Floor: randy men who try and talk like Hancock.

Because I hadn’t realised, but bloody hell, yes, of course. Mr. Lucas, you’re an oaf.

That’s not the line we’re discussing today, however. You might have guessed which one we are discussing from the headline of this piece.

Everyone on one side of the table in the restaurant. Going up…

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  1. I remember once excitedly showing some friends the series… mainly to embarrassed silence. Similar also happened to me with Rutland Weekend Television. I don’t force people to watch half hours of comedy they’ve never seen before in my presence any more, it’s just too excruciating if they hate it. 

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You Ain’t Seen All of These… Right?

TV Comedy

“This is it! It’s THE FAST SHOW as you’ve never seen it before – literally! This special video compilation has sketches you will not have seen on TV featuring all your favourite characters as well as loads of completely new ones, so fresh and raw they don’t even have proper names – Mid-life-Crisis Man, Road Rage Man, Up All Night Shagging Man. Plus the New York Eskimo, Ponce In The Garden, The King, The Over-Sensitive Dad and Danny Klein, a cop like no other cop you’ve ever seen before, because he’s Conventional Cop.”

Back of VHS cover, You Ain’t Seen All of These… Right?

The problem with something like The Fast Show – a programme which for many years has essentially lived on DVD – is that the origins of various things can become a little murky in your brain. Or at the very least, my brain.

So let’s quickly nail down the facts:

  • In 1999, The Fast Show put together a fantastic compilation of previously unseen sketches, titled You Ain’t Seen These… Right? This was broadcast on BBC Two as part of Fast Show Night on the 11th September 1999, in a 30-minute edit.
  • A couple of months later, on the 15th November 1999, it was released on VHS in an extended 50-minute edit, as part of the Series 3 Fast Show boxset.1 This version was called You Ain’t Seen All of These… Right?
  • Finally, this 50-minute edit was also part of the Ultimate Collection DVD boxset, released on the 5th November 2007. Both the VHS and DVD edits are identical.

For my part, I have fond memories of watching the show on the original broadcast on Fast Show Night… but never owned the commercial VHS at all. In 1999, I just couldn’t afford to keep up with every brilliant BBC Video release back then. So the first time I saw the extended edit was on the Ultimate Collection boxset years later, where the 20 minutes of extra material took me by complete surprise, despite the fact that the extended edit was first released eight years earlier.

You know where this is going. Last time, we looked at the 30-minute edit of the show. Let’s take a look now at the 50-minute commercial release. Sadly, I don’t have access to the same kind of production paperwork this time round; the BBC’s commercial releases are generally much harder to research than broadcast material. This means that for the extra sketches, we don’t know the official titles, authors, or even which series they were originally recorded for. Although on that latter question, trying to figure it out from the sketches themselves is half the fun.

Regardless, here is a complete list of every single difference between the broadcast 30-minute edit of the show, and the commercial 50-minute edit. I do find this extra material fascinating, because it was essentially rejected twice; once for the main series, and then again for the broadcast version of You Ain’t Seen These. If any Fast Show material was going to be of questionable quality – at least when it comes to stuff that the public got to see – then the material listed here is going to be it.

All times given are for this 50-minute edit of the show. This version isn’t available online, at least legally and in good quality, but I suspect the crossover between “people who read Dirty Feed” and “people who don’t own The Fast Show Ultimate Collection on DVD” is fairly small.

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  1. It never had a separate release. 

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You Ain’t Seen These… Right?

TV Comedy

NO OFFENCE: Anyway, you’re about to see a show that has been cobbled together using bits of shoddy old material previously thought unworthy for your eyes, but now in a desperate attempt to stuff their schedule with any old tat, the once trustworthy BBC is pretending it’s something really quite exclusive. No offence.

Introduction to You Ain’t Seen These… Right?, The Fast Show Night

On the 11th September 1999 at 9pm, BBC Two broadcast two hours of programming under the title The Fast Show Night. If you can get over the idea of two hours being called a theme night – I always think three is the bare minimum – it really was a splendid collection of shows, and one I remember very fondly from first transmission. I still have my off-air on VHS somewhere.

The evening consisted of the following, all of which ended up on The Ultimate Collection DVD in some form or another:

  • Links from the Fast Show gang, bizarrely shot against a very unflattering grey background.1 One of the highlights comes early on, with Lyndsay of the Off-Roaders yelling “Suits you, sir!” repeatedly.
  • Fast Show Fanatics, three sequences featuring various fans of the series. Thank you Johnny Depp, I heard enough from you back in 1999.
  • The very first episode of The Fast Show. It helps that it’s a pretty good one, with few of the problems often encountered when pulling out the first episode of something for an evening of celebration, and it turns out to be weird and/or actively bad. See: Spitting Image.
  • A 40 minute documentary, Suit You, Sir! The Inside Leg of the Fast Show, which I’ve always really enjoyed, especially the baiting of Harry Enfield.2
  • And finally, our topic for today: You Ain’t Seen These… Right?, a 30-minute compilation of previously unseen sketches from across the first three series.

It’s become a cliche to say that the offcuts of some programmes are better than what other shows deem their best material. It’s a cliche which I’m afraid I can’t shatter here. The material in You Ain’t Seen These… Right? is well up to scratch, with some brilliant sketches included, and one moment which is a serious contender for the very funniest moment in the whole of The Fast Show. It’s so good, in fact, that it deserves a closer look.

What follows then, is a list of all the sketches in the show, including their proper titles, authors, and crucially, which series they were originally shot for, which is the bit I find most interesting.3. The 30-minute broadcast edit of the show is available on iPlayer, and is the version we’re dealing with here, so feel free to watch along.

You can insert the Off-Roaders catchphrase here if you like. I can’t quite bring myself to.

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  1. These links were shot on the 9th August 1999, at Broadley Studios in London. 

  2. I’ll never write something proper about this documentary, so: are you up for a list of people who were interviewed for it, but never made the final edit? Leslie Ash, Bryan Ferry, and Dannii Minogue. I kinda want to see what Dannii Minogue had to say about The Fast Show

  3. The titles, authors and originating series come from the production paperwork. Sometimes the paperwork gives secondary titles identifying the specific sketch; others use the umbrella title only. 

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Fun With Daisy and Onslow

TV Comedy

When you’re a Red Dwarf fan, it’s easy to forget how spoilt you are. The DVDs bombard you with deleted scenes and unused material. Want an early version of the opening episode, featuring an entirely different introduction to The Cat? The DVDs have you covered.

Sadly, Red Dwarf is an outlier; a rare example of a series which started in 1988 which still had a production office at the time of the DVD revolution. Moreover, it was understood that there was a large geek audience who would lap this kind of thing up. The chance to see this kind of material for programmes of Red Dwarf‘s vintage on an official release is rare, especially when it comes to audience sitcom. Sometimes, you have to rely on other means.

Or, just occasionally… mistakes.

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“Specially Shot for Onslow’s Telly”

TV Comedy

DAISY: There was a time when you used to chase me all over the house.
ONSLOW: That was before we got colour, wasn’t it.

Keeping Up Appearances, “The Art Exhibition”, TX: 11/10/92

Here on Dirty Feed, we like to answer people’s burning questions about television occasionally. So let’s look at two related queries1 from friend of the site Rob Keeley, who wants to know the following about Keeping Up Appearances:

  1. What’s the scary movie Onslow’s always watching, and
  2. What movie is in the QE2’s cinema in the “Sea Fever” special?

I can answer these questions… but it gets complicated. Strap yourself in. Here is each and every film which Onslow watches from the comfort of his armchair. The lazy bastard.

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  1. Yes, from two years ago. I never said we like to answer people’s burning questions about television quickly

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“And What About the Vegetables?”

TV Comedy

I have to be honest, I didn’t exactly have a rule against embedding GB News material on here. I didn’t think I really needed one. What was the likelihood that I’d ever have cause to do it?

Unfortunately, back on the 18th March 2024, something happened which forces me to briefly acknowledge the channel’s existence. Piers Pottinger, public-affairs consultant and former advisor to Margaret Thatcher, makes a bit of a twat of himself:

As was widely reported at the time, Pottinger seems to be confusing reality with a famous Spitting Image sketch. But rather than judge the entire thing from a 19 second Twitter video, you can see the whole contribution from him below. It starts from 37:38 in, with the anecdote itself at 44:36:

Just for the record – and in case either of the above videos disappear at any point – here is a transcript of the relevant section:

PIERS POTTINGER: I mean, there was a famous time when she was having dinner with her cabinet in the Ritz, and they were taking the order for the main course, and they all ordered beef or lamb or fish, and the waiter said to Margaret “And the vegetables?” She said “They’ll have the same as me.”
ANDREW PIERCE: I don’t know if that story’s true, but it’s a lovely story.
PIERS POTTINGER: Well I like to think it’s true.
ANDREW PIERCE: Certainly apocryphal. Certainly apocryphal.

“Apocryphal” is one way of putting it, yes. Maybe it’s just too much to expect Andrew Pierce to be able to quote chapter and verse when it comes to famous Spitting Image sketches. To be fair, when it comes to the reporting of all this, vanishingly few people could identify the actual episode of Spitting Image in question. Most contented themselves with linking to a blurry YouTube video of the sketch with no date attached, in the wrong aspect ratio.

So our first point of order is to correct that. The sketch which Pottinger mistakenly presents as a true story appeared right at the very end of Series 2, Episode 3, broadcast on the 20th January 1985; the traditional place for putting a great sketch to leave the audience wanting more. So after a rousing rendition of “Robson’s Glory Boys”1, we get the following:

Very droll, Minister. But here’s the thing: the above joke is most certainly not original to Spitting Image.

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  1. Yes we’ll go go go
    All the way to Mexico
    And we’ll stay stay stay
    ‘Til the second game we play
    Then we’ll fly fly fly
    Back to London by July
    We don’t expect you’ll thank us
    ‘Cos we’re all Bobby’s bankers
    A load of petrol tankers
    We’re Robson’s Glory Boys! 

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Location, Location, Location

TV Comedy

Shooting audience sitcom has all kinds of unique production problems compared to other types of television.

After all, any TV show has to decide whether to shoot a given scene on location, or in the studio. Each choice has advantages and drawbacks: you don’t have the expense of building a set on location, but you also have less control than in a studio. With audience sitcom, though, you start running into further problems. Is there room in the studio for that extra set in front of the audience? And yet if it’s a dialogue-heavy scene, surely you want to do it in front of the audience, so the actors can play off their reaction?

Squaring this particular circle can lead to some interesting results. Let’s take a look at three of them.

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Where’s Wally Who?

Radio Comedy

One problem with writing Dirty Feed is that there are so many strands of research here, that I end up losing track of some of them. Such was the case with early 80s Radio 2 sitcom Wally Who?, written by Rob Grant and Doug Naylor. In 2020-21, I wrote a few pieces on the show… and then it entirely fell off my radar.

A reminder, then. When we last talked about the series, I couldn’t even figure out exactly how many episodes of the show there were. It’s worth reading that whole article for all the details, but I’ll give you the short version. Here are the episodes that we knew were broadcast, and that we had copies of:

Episode First TX Repeat TX
Just the Way You Are 7th Nov 1982 12th Nov 1982
The Whiz Kid 14th Nov 1982 19th Nov 1982
I Want to Be In Movies 21st Nov 1982 26th Nov 1982
The Painting 28th Nov 1982 3rd Dec 1982
The Caravan 5th Dec 1982 10th Dec 1982
All I Want for Christmas 12th Dec 1982 17th Dec 1982

And here are the rest of the episodes as listed in the Radio Times, that we didn’t have copies of:

Episode First TX Repeat TX
Episode 7? 19th Dec 1982 (unrepeated)
Episode 8? 2nd Jan 1983 7th Jan 1983
Episode 9? 9th Jan 1983 14th Jan 1983
Episode 10? 16th Jan 1983 21st Jan 1983

Not only did we not have copies of them, but none of them were given titles or an episode-specific synopsis in the Radio Times either, making them feel uncannily like “ghost” episodes. Did these remaining four shows really exist, or not?

What I needed is someone to show up in my email, and give me the magic answer I’ve been looking for, without any real effort on my part. So step forward Alan Power, who did precisely that, and to Holocron who rediscovered it in the first place. Anyone fancy an episode of Wally Who? that precious few people have heard since 1983?

Download Wally Who?, Episode 8

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