It somehow seems fitting that the very first thing recorded in studio for The Young Ones was one of its most well-remembered sketches. On the 23rd January 1982 at 7:30pm, without a studio audience – it was played in for their reaction the following night – Nozin’ Aroun’ was put in front of the cameras.
“Well, I’m standing up here on this scaffolding because that’s what this programme is all about – shock.”
The inspirations for Nozin’ Aroun’ are clear: a parody of TV “for young adults, made by young adults”, most obviously Something Else (1978-82) and the Oxford Road Show (1981-85). The latter is often mentioned in connection to The Young Ones, as Ben Elton made several appearances on it. A person contributing to the real thing… and also doing a parody of it. The link is irresistible.
Irresistible… and yet often slightly confused, especially when it comes to the chronology. For instance, BFI Screenonline tells the following story:
“But by the late 1980s Elton had decisively emerged from behind the typewriter. Although he had had some onscreen experience (even parodying his Oxford Road Show appearances in The Young Ones‘ mock youth TV programme Nozin’ Aroun’), it wasn’t until he became the regular host of Channel 4’s alternative comedy variety show Saturday Live (1985-87) and its successor Friday Night Live (1988) that his face became as famous as his scripts.”
So the Oxford Road Show appearances came first, and then The Young Ones. And yet on the DVD commentary for “Demolition”, the Young Ones pilot, with Paul Jackson and Geoff Posner1, we get:
PAUL JACKSON: Funnily enough, he [Ben Elton] went on to present the Oxford Road Show of which this is in fact a parody.
GEOFF POSNER: Absolutely. Oxford Road Show used to be a sort of youth show, done from Manchester, Oxford Road studios in Manchester, and he ended up sending himself up.
PAUL JACKSON: And then, having sent himself up, presenting the show.
Jackson and Posner seem to be talking at cross-purposes here; Jackson thinks The Young Ones came before Ben’s Oxford Road Show work, while Posner seems to think it came afterwards. It’s all a bit confusing. After all, how can you send yourself up in this fashion before you’ve appeared on the real show?
Still, the idea that Ben is directly making fun of his own work in Nozin’ Aroun’ is a fun one. It’s not difficult to imagine the thought process here, once you’ve disentangled the temporal confusion. Ben did some embarrassing early appearances on the Oxford Road Show, finally got a show of his own, and used it to mercilessly take the piss out of how awful he was on it. Or at the very least, how awful everybody was around him.
The truth is altogether more interesting.
Paul Jackson produced the pilot, so is an obvious choice for this commentary. Posner is perhaps slightly odd; he only joined the production for the rest of Series 1, as Associate Producer/Director. But we do get the story of Posner overhearing Jackson editing the pilot of The Young Ones deep within the bowels of the BBC, which probably makes it worth it. ↩