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TV Comedy

Sometimes, finding out the true story about an old sitcom legend gets very complicated. But not always.

For instance, take this old Londonist article from 2008, as rumours swirled about the potential sale of a certain Television Centre. But don’t worry! They have an interesting “fact”.

Interesting Television Centre fact no. 1: Studio 1 is the biggest and most expensive studio in television centre. For the early series of Red Dwarf, there was no budget for any set after the production team hired it for filming so they had the hapless space team running around the exposed lighting rigs and gangways, which worked brilliantly (and cheaply) for convincing us they were on board a massive spaceship.

It’s difficult to know where to start with that paragraph. I mean, the idea that early Red Dwarf had “no budget for any set” is not even remotely true. It is also the case that the show was never recorded in Studio 1 at TV Centre. Or let’s get right to the point: Red Dwarf never recorded a single frame of material at TV Centre full stop.

To be fair to Londonist, I think I know where they got this particular misinformation from: the BBC itself. Back in 2013, I went on a tour of the soon-to-be-closed TV Centre, and sure enough, a version of this anecdote was told to me as well: the series was shot at TVC, and you could see the lighting gantries used in the finished episodes as part of the ship. Believe it or not, no, I didn’t start an argument with the tour guide. I just went back home and wrote a passive-aggressive article, obviously.

So, if Red Dwarf was never recorded at TV Centre, where was it recorded? For its first three series, the answer is: New Broadcasting House. Not the current NBH in London; this was Manchester’s New Broadcasting House, on Oxford Road.

Picture of New Broadcasting House in Manchester

To be more specific: Red Dwarf was shot in Studio A at Oxford Road: the network production studio.1 Over the years, a great many nationally-broadcast programmes originated there; among others, the Oxford Road Show, A Question of Sport, Filthy Rich & Catflap, Cheggers Plays Pop, some editions of The Old Grey Whistle Test2, and a particular childhood favourite, The Satellite Show. And that’s only scraping the surface. Oxford Road Show aside, I expect plenty of viewers had no idea any of those series came from Manchester.

Still, for all the misinformation about Red Dwarf being shot at TV Centre, or having “no budget for any set”, the tales from the BBC tour guides were correct in one respect: certain scenes from the show really were shot on the lighting gantries in Studio A, standing in for the ship itself. Which is indeed an actual INTERESTING FACT.

Let’s take a look.

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  1. Studio B was the smaller regional production studio, although this was also used for some daytime network programming such as Open Air and Daytime UK

  2. I have to be honest, before researching this article, I thought that The Old Grey Whistle Test always came from TV Centre. But no. Here’s one of the first television performances by Dire Straits, transmitted live from Manchester’s Studio A. 

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You Rang, M’Lord: The Missing Seven Minutes

TV Comedy

8.00 – 9.00pm
You Rang, M’Lord?

By JIMMY PERRY, DAVID CROFT.
Starring Paul Shane as Alf
Jeffrey Holland as Jim
Su Pollard as Ivy
featuring Donald Hewlett as Lord George Meldrum
Michael Knowles as the Honourable Teddy
Bill Pertwee as PC Wilson
Brenda Cowling as Mrs Lipton.
A new hour-long comedy performed in front of an audience, in which Lord Meldrum takes on a new butler who in turn engages his daughter as a parlour-maid.

Radio Times, BBC1, Thursday 29th December 1988

What do Hi-de-Hi!, ‘Allo ‘Allo!, and You Rang, M’Lord? have in common?

Yes, they were all sitcoms produced and co-written by David Croft, and yes, they all have a penchant for punctuation marks in the title. Moving closer to the point, they all had proper pilot episodes that were shot separately from the rest of their first series. And they are all truly excellent pilots.

What’s more, all these pilots were also transmitted before their first series proper arrived. Hi-de-Hi!‘s pilot was broadcast in January 1980; the series arrived in February 1981. ‘Allo ‘Allo‘s pilot was shown in December 1982; the series didn’t arrive until September 1984. And the pilot for You Rang, M’Lord? was shown in December 1988, but the series didn’t arrive until January 1990.

You Rang, M’Lord? trail (for December 1988)

Today, you can easily see two of these pilots essentially as audiences saw them the first time round; the DVD releases for Hi-de-Hi! and ‘Allo ‘Allo contain the shows as they were initially broadcast.1 You Rang, M’Lord? is very much a different story. And it’s a story which has – with the odd honourable exception – gone virtually undocumented.

The clue is in the Radio Times listing above. One of the most notable things about You Rang, M’Lord? is the fact the show had a 50 minute duration, which allowed for – as David Croft put it – “a good opportunity to develop characters and scenes more thoroughly”2 And indeed, if you pop in the DVD, that pilot episode lasts for 49’07”.

In which case, why does that 1988 Radio Times capsule promise an “hour-long comedy”?

The answer: because when that pilot was first shown on the 29th December 1988, it wasn’t 49’07. It was 55’58”. But when the programme was repeated on the 7th January 1990 – the week before Series 1 of the show started properly – it magically fitted a 50 minute slot. What gives?

You Rang, M’Lord? trail (for January 1990)

The obvious explanation is that the show was edited down between its initial showing and its repeat. But what’s unusual for a Croft comedy is that this longer edit never had another outing. The show has – as far as I can tell – never been repeated or commercially released in its original longer version. Meaning that the way the British public first experienced You Rang, M’Lord? has been all but lost to history.3

I don’t like things being lost to history. For the first time, then, here is exactly what was edited out of the 1988 pilot of You Rang, M’Lord? for all subsequent repeats and DVD releases. A piece of David Croft that never usually sees the light of day. Many thanks to Elaine Musselwhite who dug out her copy of this very rarely seen part of Croft’s oeuvre, without which this piece would have been impossible to write.

All times included are for the 50 minute version released on DVD, so you can play along at home.

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  1. The occasional additional caption or so aside. 

  2. David Croft’s autobiography You Have Been Watching…, p. 231. 

  3. The only book I’ve found which even gives the broad strokes of this story of the longer edit is Rob Cope & Mike Fury’s Hi-de-Hi! Companion, from 2009. 

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A Revised Schedule of Programmes

TV Comedy

One thing I’ve become vaguely obsessed with over the past year is how often the things that “everyone” knows about a TV show turn out to be incorrect. Of course, by “everyone”, I don’t actually mean everyone. The person on the street doesn’t mutter Brittas Empire TX dates as they go about their shopping. At least not in my local Tesco.

Somewhere which should know its Brittas Empire TX dates is epguides.com, mind you. Here is their page for the show, although I’ve screengrabbed the relevant section below, for reasons which will soon become apparent.

Series 1 Brittas Empire TX dates - don't worry, this is just for illustrative purposes, the actual information you need will be present in the body text

According to epguides.com, Series 1 of The Brittas Empire aired weekly from the 3rd January 1991, ending on the 14th February, skipping a week on the 31st. Wikipedia has the same details, as does The Brittas Empire Wiki. For complete transparency, seeing as I was writing for the site when it was published, Ganymede & Titan‘s guide has the same broad dates, but skips the 10th rather than the 31st; IMDB follows these latter dates too.

Every single guide mentioned above is wrong.

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Nice To Be Here, Mr. Rimmer, You Son of a Gun

TV Comedy

This year has ended up being a rather odd one for Dirty Feed. I initially intended to write precisely nothing for the first half of this year at all. So what better time to accidentally publish one of the most popular things I’ve ever written, and end up deeper in the sitcom salt mines than ever before?

Well, today’s little fact isn’t as good as that one. Or as good as this one. It is, however, something brand new about early Red Dwarf, and clears up a little mystery that has dogged fandom for decades. And by “dogged fandom for decades”, I mean “five or so people wondered about it every so often”.

So let’s take a look at the Series 1 episode “Balance of Power”, broadcast on the 29th February 1988. Specifically, the start of the cinema scene with the skutters.

The question is: what exactly are they watching?

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What The Papers Say

TV Comedy

HACKER: Don’t tell me about the press. I know exactly who reads the papers. The Daily Mirror is read by people who think they run the country. The Guardian is read by people who think they ought to run the country. The Times is read by the people who actually do run the country. The Daily Mail is read by the wives of the people who run the country. The Financial Times is read by people who own the country. The Morning Star is read by people who think the country ought to be run by another country. And The Daily Telegraph is read by people who think it is.
HUMPHREY: Prime Minister, what about people who read The Sun?
BERNARD: Sun readers don’t care who runs the country as long as she’s got big tits.

Yes, Prime Minister, “A Conflict of Interest” (TX: 23/12/87)

The above is one of the most famous sequences in the whole of Yes Minister and Yes, Prime Minister. And like so much of the best comedy, it’s many things at once. A forthright piece of satire on the media, a character moment for Bernard… oh, and a rude joke into the bargain.

It was also, in some circles, a well-worn piece of material by the time it was broadcast on the 23rd December 1987. And the original version of that material was certainly not written by Antony Jay and Jonathan Lynn.

Not that any of this comes under the Official Secrets Act. It’s often been talked about on Twitter, people have asked about it on forums, and it’s also briefly discussed in Graham McCann’s excellent book, A Very Courageous Decision: The Inside Story of Yes Minister. But nobody seems to have collated all the different strands of this little story together in one place.

So here is the tale of where this routine comes from… or, at least, as close as we can get. I can’t promise you that I have found the true origin of this material. But I believe I have managed to get further back than anybody ever has before. And if you already think you know definitively where this material comes from, then prepare to be surprised.

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Roughly 3,000 Words on Yes Minister Pilot Edits

TV Comedy

When discussing the origins of Yes Minister, one story seems to loom above all: a nervous BBC delaying the series until after the 1979 election. The following version of this tale, told by writer Jonathan Lynn, seems a good a place to start as any. On that pilot recording:

“That Sunday, we recorded the show. I had asserted, with a confidence I did not wholly feel, that it would get laughs. Neither of us1 quite expected the gales of laughter which came from the studio audience that night. John Howard Davies lost little time in commissioning three more scripts, to make the first series of seven. Then we waited, and waited… and waited.

The Winter of Discontent approached and government all but broke down, and the BBC refused to transmit the first series until after the forthcoming election, which turned out to be not until 1979. They were scared that it would be seen as improperly influencing the election. Finally, three years after we had first proposed the show to the BBC, we went on the air in February 1980.”

Jonathan Lynn, “Comedy Rules”, p. 107

Perhaps Lynn can be accused of indulging of some spin of his own here. I’m willing to take him at his word that it was three years since he and Jay had proposed the series to the BBC, but that isn’t the real point when it comes to this particular delay. The heavy implication in the line about the election not being “until 1979” is surely that the pilot was made in 1978; otherwise, why not say “later that year”?

In fact, the pilot of Yes Minister was shot on… the 4th February 1979, a year before it was broadcast on the 25th February 1980. The election clearly caused a delay, but perhaps not for as long as Lynn indicates here.

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  1. Lynn is referring to his co-writer Anthony Jay here. 

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Wally Who, What, When, Where, Why?

Radio Comedy

It’s odd, the things which can become obscured so easily.

Take Wally Who?, an early Grant Naylor radio sitcom from 1982, which I’ve written a bit about recently. It is not, to be fair, a series which is currently part of the pop culture zeitgeist. I am not expecting to find huge screeds written about the show in Digital Spy, nor am I expecting BBC Sounds to commission Obsessed With… Wally Who? But there are certain things which you think would be easy enough to nail down.

For instance: the number of episodes of the programme broadcast. That’s fairly basic. In fact, it might be the single most basic fact you could expect to know about a series. And yet every source online seems to have a different answer.

The BBC website lists 5 episodes. My old hangout Ganymede & Titan says 10 episodes. radiohaha also says 10, although erroneously gives the network as Radio 4 rather than Radio 2. The British Comedy Guide gives 5 episodes. Rob Grant himself says 8 were commissioned. Somebody even sent me a copy of what is listed internally at the BBC; they have 5 episodes, although the last one is confusingly labelled Episode 6.

What the bloody hell is going on?

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“Arg.”

Radio Comedy / TV Comedy

Today, I have another story for you. And like all the best stories, it starts with the DVD menu for At Last Smith & Jones: Vol. 1.

Smith & Jones main DVD menu
Smith & Jones Series 4 DVD menu


At Last Smith & Jones: Vol. 1 is a slightly odd but extremely watchable Best Of release for the duo, released in 2009. It comprises of material from all four series of the BBC2 incarnation of the show – two episodes per series, making a total of eight compilation episodes – along with the complete 1987 and 1988 Xmas specials.1 None of these compilation shows have end credits of their own, just a BBC logo and a copyright date – everyone who originally worked on the show is listed on the separate credits elsewhere on the DVD.

And as I was reading those DVD credits for Series 4, a certain part of my brain sparked into life.

DVD credits - featuring Rob Grant
DVD credits - featuring Doug Naylor


A consequence of hanging around in Red Dwarf fandom for too long is a minor obsession with early Rob Grant and Doug Naylor material. I knew they had written stuff for The Grumbleweeds and Jasper Carrot, but I never knew they had written anything for Smith & Jones. And yet there were their names, large as life.

What the hell did they write?! I had to know. Time for some investigation.2

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  1. Sadly, Vol 2. – intended for material from their six series over on BBC1 – never made it to the shelves. 

  2. Investigating this, investigating that. General investi… sorry, force of habit. 

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“I Didn’t Know You Were Allowed to Say Wanker on Television!”

TV Comedy

Recently, I wrote this ridiculous article about The Young Ones episode “Cash”. So while we’re on the subject, here is something else about the episode which has bugged me for years.

To recap: in order to earn some bread, the gang decide to send Neil to the Army Careers Information Office. In no short order, he is flung right back out onto the pavement.

NEIL: I only said I was a pacifist.

And as the gang help Neil to his feet again, there is a very peculiar edit. The following are two consecutive frames from this moment in the episode:

The gang outside the Army Careers Information Office
The gang still outside the Army Careers Information Office, at a slightly different angle


Everyone has changed position; most obviously Planer, who suddenly has his hands in his pockets. Clearly, something was cut at this point. But what?

Unlike our previous investigation, the raw footage is of no help to us here; no location material is present on that tape. Nor does the paperwork I personally have access to shed any light. But the answer is out there, if you look hard enough.

And I honestly think the cut moment could have gone down in history as one of those TV moments a whole generation remembers.

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Better Than Reality

TV Comedy

“I alter people’s perception of reality.” – Dr. Hypnosis

One recurring theme in Red Dwarf has always been the rather tenuous grip on real life the crew have. Whether it’s the Total Immersion Videogame of “Better Than Life”, the hallucinations suffered in “Back to Reality”, those damn reality pockets in “Out of Time” – to name three of many – people’s perception of reality is something which Grant Naylor return to time and time again.

What’s interesting, however, is that Red Dwarf is far from the first time Grant Naylor have explored this idea. In fact, we can trace their fascination with it right back to their very first solo writing credit: the first episode of Radio 4 sketch show Cliché, broadcast on the 16th March 1981. Though unlike Red Dwarf, it isn’t framed in terms of science fiction.

I present to you the strange adventure of Dr. Hypnosis: his real name… Dr. Hypnosis.

Download “Cliché – Dr. Hypnosis”

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