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A Comedy Spray

TV Comedy

While we’re on an anonymous questions kick, here’s something else I was asked recently: “Favourite behind-the-scenes moment?” Which gives me an excuse to talk about something brilliant.

Take a look at this scene from Red Dwarf, “Stasis Leak”, broadcast on the 27th September 1988.

This was shot on location in the Midland Hotel in Manchester, on the 5th/6th May 1988.1 Note the plaque for “The Ganymede Holiday Inn” is clearly above one for the Midland Hotel. Although the really interesting thing about that plaque is that it includes a close approximation of the Holiday Inn logo, which is perhaps a little odd for a BBC show of the time!

Now let’s turn to The Bodysnatcher Collection, a Red Dwarf DVD release from 2007 which I’ve talked about many times before on here. One of the features on that release was an in-depth behind-the-scenes making of documentary of Series 2, It’s Cold Outside, which features plenty of previously unseen clips from the raw recordings, both studio and location.

Such as the following. A discussion between Danny John-Jules and Doug Naylor, taken from the shooting of the Ganymede Holiday Inn scene, about spraying the nice lady with water… and who gets to do it. And it’s fantastic.

There’s something about the way Doug acknowledges comedy in that clip that is just magical. Comedy as its own thing, as something worth fighting for, as something that matters.

There are a great number of TV shows made now which would benefit from somebody stepping forward and saying: “It’a a comedy spray.”


  1. Two days for the material at the Midland Hotel seems excessive, but that’s what the paperwork states. Other location material featuring Mark Williams as Petersen was shot at the Albert Dock on the 11th May 1988

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Duck, Everyone

TV Comedy

Recently, I asked people to send me anonymous questions again, which is always good fun until someone sends you something unpleasant. Anonymity and nasty messages, what are the odds?

Anyway, I particularly enjoyed this one, as it gives me an excuse to link to one of my favourite things ever.

“Favourite audience reaction in a sitcom? I know it’s difficult to choose. The reaction at the end of Seinfeld’s The Marine Biologist when George pulls Kramer’s golf ball out of his jacket has to be one of mine, love that woman who does the shriek when she realises what he’s holding.”

Having finally got round to a full rewatch of Seinfeld this year – yes, I know – I fully concur. The actual laugh is at 4:00 in the below video, in an episode which first aired in the US on the 10th February 1994.1

As for my own suggestions, my mind immediately turns to Red Dwarf. The obvious answer is the shrinking boxer shorts scene in “Polymorph”, followed by the reveal of the crew meeting the skeletons in “Kryten”. In fact, nearly all the huge audience reactions in the show come from the show’s early years in Manchester, which might be a riposte to anyone who says that the audience got louder in later years when the fans started attending recordings.

A less obvious answer, but still utterly glorious, is the following from “Bodyswap”, broadcast on the 5th December 1989. You don’t need to worry about the body swap shenanigans themselves – all you need to know is that thanks to a wiring fault, Lister’s order of “a milkshake and a crispy bar” ten minutes earlier set off the ship’s auto-destruct system:

It is, of course, the utter release of tension, as well as the joke itself, which creates such a hysterical reaction.

But for my money, one of the best audience reactions of all time is in Drop the Dead Donkey. In “Sally’s Libel”, broadcast on the 4th February 1993, we get the sad tale of footballer Pat “The Panther” Pringle, played by Paul Clarkson. Well, he was called “The Panther” until a horrendous own goal in the last minute of a semi-final, where he became known as “The Plonker” instead.

Luckily, after years in the wilderness, he’s finally got a job as Globelink’s new sports presenter. And so the gang make him feel comfortable in their usual inimitable fashion.

Interestingly, it works slightly differently to the Red Dwarf example above. It’s not about a release of tension; the tension is already released by the bathetic “Oh well, there you go!” So you think that’s the main joke… and then wham, David Swift comes on and leaves you gasping for breath.2

It’s as joyful and magical as television gets for me. And it creates the case for audience sitcom in and of itself.


  1. Although annoyingly enough, despite including some of the lead-up, it doesn’t include any of Kramer playing golf on the beach earlier in the episode, which is key to the punchline. 

  2. And leaving Stephen Tompkinson gasping for breath, covering his face to hide his corpsing. Which brings to mind Simon Day in the final Mid-Life Crisis sketch of You Ain’t Seen These, Right? 

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“It’s Just So Crypto-Fascist!”

Children's TV / TV Comedy

Where were you when Napalm Death appeared on Children’s BBC?

For me, the answer was… not watching Napalm Death on Children’s BBC. Music show What’s That Noise? was not a favourite of mine. Perhaps I detected the vague whiff of education, and I’d already had enough of that by that point in the afternoon. At 4:35pm on the 10th October 1989 I was probably watching Sooty and Count Duckula on the other side. Or on my computer. Or eating tea. Anything, in fact, than watching BBC1.

Oh well, my loss. See how great Craig Charles is here. “This is music for young lovers, step aside Kylie Minogue!”

The question is: what has the above moment got to do with Red Dwarf, beyond the involvement of Craig?

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“Some Cheap American Science Fiction Movie”

Film / TV Comedy

20 years ago this month, I interviewed John Pomphrey, the lighting director for the first six series of Red Dwarf. I was going to tidy that interview up and republish it here for its little anniversary, but for various reasons, I’m struggling to get round to it. Maybe that’s for the best. That interview should probably be left in its own time and place.

Rereading it though, there’s a few things in there which I don’t think have come up anywhere else. Not least, the following anecdote about a cheap film which ripped off Red Dwarf‘s sets:

“Some of it did appear in a movie, because me and Mel sat down and looked at it. We came across a cheap American video, a very cheap science thing, and Mel said ‘It’s the control room!’ Someone in America had copied it, and we spoke to Doug and Rob at the time, but there was nothing we could do about it, but it was absolutely identical. Same lighting; it was evident that somebody had got hold of a copy and thought ‘That’s good’ and built it, and it featured in some cheap American science fiction movie. We said “Who do you sue?” and you’d never track them down, you’d never sue them… so we just sat and looked at it. He said ‘Look at that! It’s the octagonal control room!’, and they were all standing round, and we said ‘Bloomin’ ‘eck!'”

This would have been the control room from Series III through to V:

Red Dwarf control room/drive room, with Cat, Lister and Rimmer

Red Dwarf control room/drive room, with Holly and skutters

It perhaps seems a little odd that John and Mel were so outraged at the rip. Mel Bibby has often gone on record as saying that his work on Red Dwarf was inspired by Alien; frankly, it’s difficult to overstate exactly how inspired it actually is. But I guess there’s “inspired by”, and “absolutely identical”.

Regardless of all that, question is: exactly which cheap science fiction movie ripped off the Red Dwarf control room above? John Pomphrey sadly couldn’t remember. Anyone have any ideas?

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Like Two Badly-Parked Morris Minors

TV Comedy

One book I remember very fondly from my teenage years is The Official Red Dwarf Companion by Bruce Dessau (Titan, 1992). Along with the various editions of The Red Dwarf Programme Guide, it represents one of the very first books to examine behind-the-scenes of Red Dwarf.

For instance, the Series V DVD release in 2004 gave us a look at shots of the despair squid from Back to Reality, cut from the broadcast episode:1

But 12 years earlier, The Official Red Dwarf Companion showed us a picture of the original, unused model:

A photograph of the despair squid, unused in the final programme

The exact timeframe of these things is often lost, so it’s worth remembering: this was published the very same year that Back to Reality was broadcast. With all that we’ve found out about the show since over the decades, it’s notable that one of the very first revelations came so early.

Other parts of the book fare a little less well. In the episode guide section, squashing three episodes onto a page for Series 1 and 2, while giving a page each to each episode from Series III onwards felt like an odd decision in the 90s, let alone now. (The tiny write-up given to “Queeg” is especially a shame.) Still, as an extremely early go at tackling Red Dwarf in any kind of serious fashion, you have to give the book a fair amount of credit.

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  1. This was replaced with an electronically-generated shadow in the final episode. The shadow is undoubtedly superior – the old adage of what you don’t see often being scarier than what you do see – but I don’t think the cut effect is that bad. 

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Where’s Wally Who?

Radio Comedy

One problem with writing Dirty Feed is that there are so many strands of research here, that I end up losing track of some of them. Such was the case with early 80s Radio 2 sitcom Wally Who?, written by Rob Grant and Doug Naylor. In 2020-21, I wrote a few pieces on the show… and then it entirely fell off my radar.

A reminder, then. When we last talked about the series, I couldn’t even figure out exactly how many episodes of the show there were. It’s worth reading that whole article for all the details, but I’ll give you the short version. Here are the episodes that we knew were broadcast, and that we had copies of:

Episode First TX Repeat TX
Just the Way You Are 7th Nov 1982 12th Nov 1982
The Whiz Kid 14th Nov 1982 19th Nov 1982
I Want to Be In Movies 21st Nov 1982 26th Nov 1982
The Painting 28th Nov 1982 3rd Dec 1982
The Caravan 5th Dec 1982 10th Dec 1982
All I Want for Christmas 12th Dec 1982 17th Dec 1982

And here are the rest of the episodes as listed in the Radio Times, that we didn’t have copies of:

Episode First TX Repeat TX
Episode 7? 19th Dec 1982 (unrepeated)
Episode 8? 2nd Jan 1983 7th Jan 1983
Episode 9? 9th Jan 1983 14th Jan 1983
Episode 10? 16th Jan 1983 21st Jan 1983

Not only did we not have copies of them, but none of them were given titles or an episode-specific synopsis in the Radio Times either, making them feel uncannily like “ghost” episodes. Did these remaining four shows really exist, or not?

What I needed is someone to show up in my email, and give me the magic answer I’ve been looking for, without any real effort on my part. So step forward Alan Power, who did precisely that, and to Holocron who rediscovered it in the first place. Anyone fancy an episode of Wally Who? that precious few people have heard since 1983?

Download Wally Who?, Episode 8

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Battle Plans

TV Comedy

Last month, I wrote about the 1993 Red Dwarf script book Primordial Soup, and how it gave us a little insight into the production of “Psirens”.

But there’s plenty else of interest in that book. I always rather liked the introduction Grant Naylor wrote for it; an introduction which is sadly missing from the version uploaded to the Internet Archive. My copy is currently lost in a house move, so many thanks to Dan Cooper for sending me a few snaps. It’s just as much fun to read as it was all those years ago.

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“What Is the Function of This Illusion?”

TV Comedy

1. Model Shot
Starfield. We pan to reveal enormous sun. After a pause, Starbug beetles across the disc of the sun.

2. Int. Obs. Deck
Dark. Various consoles click into life as we pan round the room, and come to rest on two deep sleep units. Suddenly, one of them flares with blue light from inside, and its hood hisses back, revealing a slowly-waking LISTER, wearing soiled long johns. He sits up. His mouth tastes vile. He notices his fingernails and toenails are six inches long. LISTER pads across the room, and starts to cut his nails in a desk-mounted pencil sharpener. He catches his reflection in a blank TV screen.

LISTER: (To his reflection) Who the hell are you?

Red Dwarf, “Psirens”, Primordial Soup

The Red Dwarf episode “Psirens” was first broadcast on BBC2 on the 7th October 1993. But that’s not how a lot of Red Dwarf fans first experienced the episode. Or specifically, how they first read it.

Because in March 1993, the first Red Dwarf script book, Primordial Soup was published. This contained the scripts for the episodes “Polymorph”, “Marooned”, “Dimension Jump”, “Justice”, “Back to Reality”, and… erm, “Psirens”. Seven months before it was broadcast. Not exactly how you’d choose to reveal the first episode of a brand new series, especially one with an intriguing format change: the crew left adrift on Starbug.

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The Mystery of Zectron 2000

Children's TV / TV Comedy

Sometimes my knowledge of a popular science fiction sitcom can reach mildly irritating proportions. When this happens, I do feel the urge to share it with you, and spread the irritation around equally,

Take the following episode of Press Gang Series 4, “Love and War”, broadcast on the 28th January 1992. We are particularly interested in the voice of Colin’s ludicrous electronic briefcase.

Now, the actor for the briefcase isn’t listed in the end credits. Which is peculiar – sure, it’s only a voice, and an electronically altered one at that, but it’s very clearly a comedy performance. But not to worry. Because I recognised that voice.

Here’s a clip from Red Dwarf, “Emohawk: Polymorph II”, broadcast nearly two years later, on the 28th October 1993. The gang are being tracked by a Space Corps External Enforcement Vehicle, whose voice should sound rather familiar:

Luckily, the voice is actually credited in Red Dwarf. It’s Hugh Quarshie, probably best known as Ric Griffin for nearly two decades of Holby City, as well as appearing in The Phantom Menace, and a million and one other things.

And one of those million and one other things? Erm, Press Gang. Specifically, the two parter “The Last Word” in Series 3, broadcast on the 28th May/4th June 1991. With that, the final piece of the puzzle clicks into place: Series 3 and 4 of Press Gang were produced and shot simultaneously.

So who did Quarshie play in “The Last Word”? Answer: Inspector Hibbert, an important character with a crucial moral choice at the end of the show. I won’t spoil that moral choice if you haven’t seen it, but here he is from earlier in the story:

Those two episodes are some of the most serious material the show ever did. Who knew that Quarshie’s turn as an Inspector in a two-parter mediating on gun crime, suicide, and the nature of guilt would be followed up with… a silly talking briefcase? Come to think of it, that seems to be Press Gang in a nutshell.

Still, it really is a shame he wasn’t credited in “Love and War”, but at least Hugh Quarshie got a proper credit in “The Last Word”.

The Last Word Part One credit sequence, featuring Hugh Quarshie as Inspector Hibbert

The Last Word Part Two credit sequence, featuring Hugh Quarshie as Inspector Hibbert

Huge Quarshie?

Oh well.

With thanks to Christopher Wickham. A version of this post was first published in the November issue of my monthly newsletter.

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The Red Dwarf

TV Comedy / TV Presentation

On the 15th February 1988, the first episode of Red Dwarf aired on BBC2. I had no idea about it.

On the 7th January 1994, the first episode of Red Dwarf aired on BBC2 for the second time. I became obsessed with it.

On the 25th August 2023, the first episode of Red Dwarf aired on BBC2 for the seventh time.1 I prepped it for TX.

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  1. I usually write BBC2 for the channel pre-1997, and BBC Two for the channel post-1997, as per the branding guidelines. But that got really irritating swapping between the two with this article, so I’ve stuck to BBC2 for everything here. 

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