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TV Comedy

I really need to get back to watching Orange is the New Black, you know. I got bogged down at the end of Season 4. Is she gonna shoot him? Is she? IS SHE?

So in order to get back on track, recently I… erm, watched an old IBA Engineering Announcement from 1990 instead.

Engineering Announcements title page
Winter Hill transmitter information


I feel I’m supposed to be nostalgic for the Engineering Announcements – those hidden, weekly 10 minute programmes on your local ITV station, giving the trade all the latest news and transmitter information. I’m supposed to say that I watched them through my childhood, that they got me interested in how telly works, and are responsible for me working in the industry today. Truth be told, I don’t think I ever actually saw one as a kid. If I did, it left no impression on me whatsoever. I was rather more interested in Central Television idents instead. (Well, I had to show my TV geek credentials at that age somehow.)

Which means that watching them online now is a faintly bizarre experience. Broadcasting ephemera that I feel I should have seen, but never did. For example, take this one, broadcast on Tuesday 26th April 1990, at 5:45am. I would have been eight years old. Why didn’t I just get up early? I didn’t need sleep at that age, surely?

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A Short Note About Old G&T Articles

Meta

Least promising headline on Dirty Feed ever, amongst some stiff competition, I know. Dirty Feed editorial policy is an even more niche subject than Hale & Pace fan fiction. But I do know there will be a few people wondering about it. Consider this a boring publishing note that most people can skip, and read something more interesting instead.

So: recently, I’ve started publishing a few posts on here which I originally wrote for Red Dwarf fansite Ganymede & Titan, which I departed from back in January. I thought I’d give a little explanation as to my choices, because republishing my old shit has never been this site’s modus operandi before. (It’s always been about publishing my new shit.) But as I said at the start of the year, I do like the idea of some of my work from G&T having a home here too, especially given that it’s the perfect chance to revise and improve a few things.

Still, some of the stuff I’ve chosen to republish over here so far isn’t exactly the obvious stuff you’d think I might pick. So here’s my thinking behind it all, for those who care.

Obviously, plenty of stuff I wrote over on G&T just isn’t Dirty Feed material. For a start, I published literally hundreds of news articles over the years, which actually consisted of the bulk of my writing – precisely none of which are worth reviving here. Pieces on the imminent transmission of The Crouches aren’t something which need to pop up on Dirty Feed in 2020.1

Then there’s the longer, but still time-sensitive articles, such as my review of The Bodysnatcher Collection DVD back in 2007. I love that they are still available online, and hope they always will be, but I don’t see any point in throwing them across to here. They capture a particular point in time, that a 2020 date attached would entirely destroy.

Finally in terms of stuff that won’t come over here, there’s the old jointly-written articles, like this piece on the climax to Red Dwarf VI. I honestly can’t remember who wrote what in those pieces – in the early days, it was often a Lennon/McCartney situation2 – but that’s all the more reason not to publish them on Dirty Feed.

So, what of stuff that is likely to find its way over here? Currently, it’s the shorter material being revised and republished, especially stuff written over the past couple of years that I still actually like. Pieces about the early satellite repeats of Red Dwarf fit neatly into the kind of thing I already publish over here, for instance.3

Then there’s the bigger pieces. Stuff like my old Hancock’s Half Hour article are thoroughly Dirty Feed material, and you’d think they would be the first things to make their way across over to here. The reason they haven’t so far is simple: I want to do a proper job at revising them to make a little more sense outside a fandom context, and that takes time. Then there’s my analysis of the sets in Series 1 and 2 of Red Dwarf, which I abandoned after three posts. That needs finishing off, but it’s a big project that really needs proper time setting aside for. It’ll happen eventually.

And finally, there are the old articles which are revised so much that I haven’t even bothered acknowledging their roots in old G&T pieces. For instance, the piece I wrote on here last month about a character-defining joke in Red Dwarf was initially inspired by a G&T piece from 2017, on an old Grant Naylor radio sitcom. But there are so many additions and changes in the Dirty Feed article – the first two-thirds are brand new, for instance – that it’s not really a rewrite of an old piece any more, and so doesn’t get labelled as such.

So there you go. Boring, but if you were confused as to the slightly-strange-from-the-outside republishing policy, then there’s your explanation. I’m not interested in porting over every single piece of writing I’ve ever done about Red Dwarf to here – anything I publish I want to reflect what I think about things today. After all, there are plenty of old articles which aren’t time-sensitive, and you’d think would make a decent post on here… but after ten years, I have decided are actually complete and utter bollocks. No point dragging out my ill-thought-through pieces about how whatever the faults of a piece of comedy, “it doesn’t matter as long as its funny”.4

Now, let’s forget about Red Dwarf for a bit. Who fancies something about Doctor on the Go instead?


  1. I do like the headline, though. 

  2. Yes, I’m afraid I actually did just make that comparison. 

  3. The revising takes two forms, incidentally. The first is to mainly strip the pieces of fandom in-jokes which wouldn’t really work over here. The second is proper improvements to the material. This piece on an old Night Network show adds some research involving TV listings which really should have been part of the original G&T version, but I was lazy. 

  4. This is one trap I fell into time and time again in old pieces of writing about comedy: segregating off “comedy” and “everything else”. Which is nonsense. Everything feeds into whether something is funny or not. A lot of my early writing about comedy is me splashing around, desperately trying to come up with something worth putting on the page… and failing. 

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Pillow Talk on Night Network

TV Comedy

This year on Dirty Feed, I’ve talked about identifying the dates of some of my early TV memories.

Here’s a little tale about identifying the date of somebody else’s.

*   *   *

Long before Paula Yates invited people On the Bed, Emma Freud was doing the same on Pillow Talk, part of ITV’s late night programming Night Network.1 And who did she have on the bed in 1987? None other than a certain Chris Barrie, who spends much of the interview looking fairly uncomfortable. They should have just had sex in multiple different positions and had done with it.

A few things to ponder, then, before I reveal the real MEAT of what has turned out to be a rather remarkable little time capsule.

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  1. For a far more detailed discussion of ITV’s late night efforts, you should listen to this podcast by Jaffa Cakes for Proust, which is truly excellent. 

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Gold Digging

TV Comedy

It’s odd, the things you assume, with absolutely zero evidence whatsoever.

Take Red Dwarf repeats, for example. Over the years I’ve written countless stupid articles about the show. But one thing I never got round to is a full list of repeats Dwarf has had over the years. So if you want that, you should read Christopher Wickham’s excellent The Red Dwarf BBC Broadcasts Guide.1

Still, one self-confessed omission from that article is anything to do with cable/satellite repeats and the like. I don’t intend to provide a full list of these, because while I might be a moron, I am not an absolute fucking moron. It seems worth asking one question, however: when was the first repeat of Red Dwarf in the UK which was not on the BBC?

Before researching this post, my massively naive guess was: around 1992. UK Gold launched on the 1st November of that year; I’d just assumed that repeats of Red Dwarf had been part of the channel from the very beginning. But then, I never had access to the channel back when it started; the first time I ever experienced the wonders of multichannel television was in the late 90s, when we got NTL analogue cable, and even then we couldn’t afford any of the extra pay channels. Instead, I whiled away my days cheating the receiver into giving me 10 minutes of free Television X. Believe me, when you’re 18, 10 minutes is all you need.

Anyway, there is a very easy way of telling when Red Dwarf was first shown on UK Gold, and it doesn’t involve doing any hard research. Just ask people on Twitter, and get them to do that hard work for you. And here is the answer from Jonathan Dent, cross-referencing the Guardian’s TV listings and this Usenet post. The repeats of Dwarf on UK Gold started with a double-bill of “The End” and “Future Echoes”, and premiered on the Sunday 5th October 1997 at 11:05pm.

UK Gold schedule for first showing of Red Dwarf

That’s a bloody great day of telly, isn’t it? But I digress.

What I find especially interesting about all this is that it coincides with the 1997 resurgence of Red Dwarf, which started with the first broadcast of Series VII 10 months previously, along with the programme’s first Radio Times cover. A resurgence which I look back on with mixed feelings, to say the least – but very much part of the second wave of the show and its fandom. Being someone who got into Red Dwarf during the 1994 BBC2 repeat season, I had no idea that I was already watching the show before it got its very first non-terrestrial UK showing. These repeats are all so much later than the history I had made up entirely by myself in my own head.

Now, would it be too much to hope for that this first broadcast on UK Gold was captured by someone on video? Maybe even with the accompanying – and presumably quite excitable – continuity announcement?

A version of this post was first published on Ganymede & Titan in September 2019.


  1. In fact, you should read his blog Ludicrously Niche regardless. TV edits, gamebook analysis, and Radio Times capsules, who could want anything more from the internet? 

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Emohawk: Covington Cross II

TV Comedy

“The Red Dwarf sets have been built on Stage G at Shepperton Studios, home of countless films and television projects, including The Third Man, Oliver!, Robin Hood: Prince of Thieves and Mel Gibson’s Hamlet, for the past three seasons. Scattered amongst the workshops and sound stages at Shepperton are a number of disused backlots, which have proved to be a bonanza for the Red Dwarf production team. This year, they’ve already returned to the wooded glade used in last season’s ‘Terrorform’ to shoot exteriors for episode four, ‘Rimmerworld’, and next week they’ll be shooting segments of episode five, ‘Emohawk’, in a village of wooden huts – a set left behind by the short-lived American series Covington Cross.”

The Making of Red Dwarf, Joe Nazzaro, p. 17 (published 1994)

“The GELF settlement was a re-dressed medieval village set which had been created for the aborted British/American television series Covington Cross.”

“Emohawk: Polymorph II” Wikipedia entry (retrieved October 2020)

Any self-respecting Red Dwarf fan has a few standard facts at their disposal. The first recording dates for Series 1 were cancelled due to an electrician’s strike. Robert Llewellyn was electrocuted on his first day at work. “Meltdown” was put back in the episode order due to worries about the Gulf War.

Slotting in among these standard set of facts is that the village scenes in the episode “Emohawk: Polymorph II” were shot on an abandoned set for a series called Covington Cross. And that’s… kinda it. That is The Fact, done, ticked, off we go.

I don’t think that’s good enough. Let’s take a proper look.

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Arnold J. Rimmer, BSc, SSc

TV Comedy

Sometimes a joke in a sitcom isn’t just funny, and doesn’t just reveal character. Sometimes, a joke is so good it literally seems to define your character. When Father Ted protests “that money was just resting in my account”, or Lieutenant Gruber sheepishly admits that “it was very lonely on the Russian front”, it somehow seems to be everything you need to know about them. A whole life, in a few short words.

For instance, take this joke in Series 1 of Red Dwarf (1988). As Lister prepares to watch Rimmer’s auto-obituary in “Me²”, he notices the following caption at the start.

Caption at start of Rimmers death video
Rimmer in his death video


HOLLY: “BSc, SSc?” What’s that?
LISTER: Bronze Swimming certificate and Silver Swimming certificate. He’s a total lunatic.

In that moment, you feel like you know everything there is to know about Arnold J. Rimmer. His abject failure to achieve anything, and his desperation to hide that by any means possible.

The thing is with these kind of jokes: they stick. When a joke means that much in terms of defining a character, the writers often can’t quite let go of it.

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That’s the Joke

TV Comedy

With all my WILD and CRAZY opinions, what do you think the most pushback I’ve ever had to something I’ve posted here on Dirty Feed? Saying something nice about That Puppet Game Show? Slagging off a beloved element of Animal Crossing? Posting BBC Micro porn in living colour? (Please believe me when I say that last link is genuinely NSFW.)

No. The most pushback I’ve ever had is when I said I agreed with John Cleese. No, not about those comments. About a perfectly innocuous Fawlty Towers joke. Specifically, the bit in “Gourmet Night”1, where Basil faints while trying to introduce the Twichens to the Halls.

MR. HALL: No, no, we still don’t know the name.
BASIL: Oh, Fawlty, Basil Fawlty.
MR. HALL: No, no, theirs!
BASIL: Oh, theirs! So sorry! I thought you meant yours! [maniacal laughter] My, it’s quite warm, isn’t it? I could do with a drink, too. So, another sherry?
MR. HALL: Aren’t you going to introduce us?
BASIL: Didn’t I?
MR. HALL: No!
BASIL: Oh, sorry. This is Mr and Mrs… [mumbles]
MR. HALL: What?
BASIL: Er, Mr and Mrs…

Basil faints.

For years, I thought the joke was that Basil simply forgot the Twitchens’ name – him having forgotten his own name in the previous scene. But no. John Cleese explains all in the DVD commentary:

CLEESE: Now, what’s interesting here is that one of the best-loved jokes in Fawlty Towers, which is Basil fainting, is I’m afraid totally misunderstood by everyone who’s ever seen it, because – it is entirely Connie’s and my fault – it’s not set up properly. When Basil faints because he cannot remember Mr. Twitchen’s name, it’s not actually because he can’t remember Mr. Twitchen’s name. He can – but he’s talking to a man whose head is constantly twitching… and he doesn’t like to say “this is Mr. Twitchen” to someone whose head is twitching because that might annoy that person. So that’s actually what the joke is.

Anyway, in this piece on those commentaries, I made the error of admitting that I had misunderstood the joke too. And despite John Cleese literally explaining that it was a bad joke because too many people misinterpreted it, I’ve never had more people hinting that I was a bit of a moron. Someone even called me a “dunce”. I can only hope that my subsequent work examining exactly what was reshot of the Fawlty Towers pilot, and a long investigation into an early incarnation of the show now absolves me of dunce status.

All this got me thinking recently. If I sat here detailing all the jokes in sitcoms I’ve misunderstood over the years, I’d be here all day. But one particular example has always stayed with me, because it took me an embarrassingly long time to figure out. And unlike the above example, it’s set up entirely correctly, and I should have no excuses.

So let’s take a trip to Red Dwarf – specifically, “Kryten”, and learn about decimalised music2:

RIMMER: It’s because you’re bored, isn’t it? That’s why you’re both annoying me.
HOLLY: I’m not bored. I’ve had a really busy morning. I’ve devised a system to totally revolutionise music.
LISTER: Get out of town!
HOLLY: Yeah, I’ve decimalised it. Instead of the octave, it’s the decative. And I’ve invented two new notes: H and J.
LISTER: Hang on a minute. You can’t just invent new notes.
HOLLY: Well I have. Now it goes: Doh, ray, me, fah, soh, lah, woh, boh, ti, doh. Doh, ti, boh, woh, lah, soh, fah, me, ray, doh.
RIMMER: What are you drivelling about?
HOLLY: Hol Rock. It’ll be a whole new sound. All the instruments will be extra big to incorporate my two new notes. Triangles will have four sides. Piano keyboards the length of zebra crossings. Course, women will have to be banned from playing the cello.
LISTER: Holly: shut up.

For an embarrassingly long time, I didn’t understand that last cello joke. I first saw the episode in February 1994, when I was 12, and maybe I should have got it then. Regardless: I didn’t. I can’t remember exactly when I did, but it had clicked by 2007.

There’s an odd thing, when you’ve watched a sitcom from an early age. An age where you get the idea of the programme, and many of the jokes… but miss a few obvious ones along the way, as well. Because my mind has a tendency to get a little – for want of a better word – stuck. When watching the same show as an adult, I hear the words, but the joke isn’t always heard afresh. The result: a joke that you would have got if you were coming to it for the first time remains impenetrable, long after you should understand it.

Well, that’s my excuse, anyway, and I’m sticking to it. Leave me alone.


  1. “Gourmet Night” also contains perhaps the harshest and bleakest joke in the whole of Fawlty Towers. “How’s that lovely daughter of yours?” / “She’s dead.” Very rarely remarked upon amid the rest of Basil’s nonsense, but it’s properly horrific. 

  2. A joke that Grant Naylor used in various forms for years. 

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Great Expectations

Meta

I try to keep housekeeping posts at a minimum here on Dirty Feed, but I feel the need to mark this one, as I’ve written a lot about it in the past. As of the 25th January, I’m no longer part of Ganymede & Titan. I know, I know, I don’t know why the media aren’t parked out on my doorstep either.

Original relaunch post of G&T in 2003

This has a few implications for Dirty Feed. Firstly and most immediately, I can suddenly spend rather more time working on silly articles for this place, which is a positive thing. More on that shortly.

Secondly, over the next few months, a few selected articles I wrote over on Ganymede & Titan might be republished here, slightly rewritten and improved. Don’t worry, there won’t be a deluge of reheated Dwarf nonsense – there would be no point moving the site’s bread-and-butter posts over to here. But some of the better stuff probably deserves a new home somewhere under my control. And I’d like the opportunity to improve a few of them too.

Thirdly, it would be complete madness for me to leave G&T, and then immediately start writing brand new Dwarf stuff over here. But once I’ve had a year or so’s break from that kind of thing, there are a few things about old Red Dwarf that I’d like to finish off here. In particular, my series of articles looking at the show’s sets has been abandoned halfway through; I’d like to bring that to some kind of conclusion. So for those of you who enjoy my Red Dwarf writing, it’s not disappearing entirely. It is going into hibernation for a bit, though.

Fourthly, I am definitely going to write something about Come Back Mrs Noah, purely to be annoying.

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I’ve Covered My Website in Complete and Utter and Total Absolute Nonsense Gibberish

TV Comedy

Slightly alarmingly, it seems I have been writing for Red Dwarf fansite Ganymede & Titan for a full 16 years now. My oldest contributions there can now technically have sex with articles from a Doctor Who fansite, to produce the most unpleasant offspring you can imagine.

Still, over the years, my contributions – while definitely increasing in quality – have certainly decreased in quantity.1 So this year, I set myself the challenge of updating the site at least once a month, a feat I haven’t managed since 2007. Slightly unexpectedly, I actually managed to achieve this.

Which means over the last year, I have provided answers to the following questions:

And to round everything off, I also wrote the G&T Christmas Message for this year; our traditional address to the nation rounding up all the Red Dwarf news over the last 12 months. Until fairly recently, I could have probably just written “that silly AA advert” and had done with it, but this month saw the first of two audience recordings for a new special to be broadcast next year. Meaning there will be a whole new spate of people saying “What, I thought Red Dwarf finished years ago with that dodgy one set in prison, I didn’t know there had been new episodes since then”, despite there being literally 21 brand new episodes made and broadcast since 2009.2

Away from the wacky world of Red Dwarf3, don’t forget that the 1st January sees the 10th anniversary of a particularly stupid website called Dirty Feed. So pop over here in the New Year for a celebration of the fact that very, very occasionally, I write something which doesn’t deserve immediately throwing into a large bin.


  1. And not just because of an extended sulk in 2009 after Back to Earth

  2. It’s no secret I’m not crazy about most of the new episodes, but if you haven’t seen any of the Dave-era shows and want to dip your toe in: my personal opinion is that Lemons, The Beginning, Officer Rimmer, M-Corp and Skipper are your best bets. 

  3. Or “whacky”, if you really have to. 

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“The 100 Years War?”

Internet

I have to admit, Dirty Feed and podcasts is a bit of a sore point. I did three episodes in 2012… and the fourth one has yet to materialise. Yes, a wait of seven years and counting is taking the fucking piss. All I can say is that it will return one day. I’ve spent far too much on jingles for it not to.

I have been involved in another podcast these last few years, mind. Over on Ganymede & Titan, the Red Dwarf fansite which is unaccountably still running and updated in 2019, we just published our 100th episode of DwarfCasts. The reason we managed to get to 100 episodes is because all I have to do is turn up and speak loudly and annoyingly about Red Dwarf, rather than actually do any of the hard work of getting the show prepped, recorded, edited, and published. So when I say I’m proud of that 100th episode, it’s nothing to do with me, and everything to do with Ian Symes, who put that beautiful little documentary together.1

Still, it got me thinking. Maybe 100 episodes of a podcast made over 13 years isn’t the most impressive thing in the world, even if that is 98 episodes more than most podcasts manage. But it strikes me that there’s something pleasant about devoting myself to the same thing for that length of time. Indeed, take a look at Ganymede & Titan as a whole – I’ve been writing for the site for 16 years and counting, and if you look back at the very first incarnation of the site, it’s been going for a full 20 years. And doing the same kind of thing for so long means that I’ve ended up writing and talking about areas that I never would have examined if I’d done what so many people did.

Because most sensible 90s Red Dwarf fans did the following: got a job, got a family, and stopped thinking that much about Red Dwarf. I managed the first two, but somehow never stopped doing the third. And sure, I’ve written about my frustration about that at times. I do have a bit of a love/hate relationship with the show these days.

But if I’d done what normal fans do, and drifted away from doing anything in fandom, I’d never have written some of my favourite pieces on the show. On the development of Holly in the early days of the show, on the very earliest stirrings of Rob and Doug playing with the nature of reality, or about how the glimmerings of one of Red Dwarf‘s most famous episodes can be seen in Hancock’s Half Hour, to name three of many.

All this is on my mind as we come up to this January, and the 10th anniversary of Dirty Feed. In one sense, anniversaries are an arbitrary waste of time. But as an excuse to take stock of where we are, and what’s to come, I find them useful. Over the last ten years, I’ve published stuff on here I love, and stuff which I now think is a bit crap. But the fact that I’ve been publishing stuff in the same place for a full ten years feels meaningful, somehow. As with the DwarfCasts, I haven’t been as prolific on here as I would have liked to have been; other bits of life got in the way. But over the years, it adds together into a really nice archive of fun stuff.

There’s an advantage to plugging away at the same thing for years, without getting bored and flitting to the next thing. You don’t have to give it endless chunks of your time each week. Nor do you have to worry about any kind of long-term plan, or where exactly it is you’re going. And after a few years, you may just look back in surprise.

Without even realising it, you’ve made something you’re proud of.


  1. Shhhhhh. Don’t tell him I was nice about him. 

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