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Obsessively Tracing Chris Barrie’s Movements in Late-1987

TV Comedy

While watching a 1987 episode of Spitting Image the other day, something rather odd occurred. And something odd occurring during an episode of Spitting Image has rapidly turned into this site’s speciality.

A bit of background first. In 1986, the show took to frequently featuring a Kenneth Williams puppet, for some reason. A typical appearance is in Episode 4, broadcast on the 26th January 1986, where he’s parachuted into the Tory cabinet:

The unmistakable tones of Chris Barrie providing the voice are… well, unmistakable. And utterly delightful.

Which makes it all the more peculiar that the following year, in the second episode of the series on the 8th November 1987, we get the Kenneth Williams puppet with a distinctly un-Chris-Barrie-sounding voice. (People with keener ears than me identify it as Steve Nallon.)

Chris Barrie had been with Spitting Image from the very beginning. If Barrie is working on your show, and had done a brilliant Kenneth Williams impersonation in the past, why would you suddenly not use him here?

Answer: because Chris Barrie didn’t work on that second episode of the series. Or indeed the first episode the previous week, on the 1st November. But he is present for Episode 3 on the 15th November, and for the rest of the series. What gives?

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Two Amusing Grant Naylor Sketches from Spitting Image

TV Comedy

The problem with being a mouldy old Red Dwarf fan is that you end up viewing every bloody comedy show from around that time through a Dwarf-shaped prism. With something like early Spitting Image, with Grant Naylor as script editors as well as Chris Barrie doing impressions, the links become utterly inescapable.

For instance, take this joke in the first episode of Series 2 of Spitting Image (TX: 6/1/85)1, in a sketch about Zola Budd:

VOICE 1: 2 hours 56 minutes! That’s a world record for a marathon.
VOICE 2: Pity she’s running the 100 metres.

And then remember this joke from Red Dwarf‘s “Future Echoes” (TX: 22/2/88), where Rimmer does a spot of running himself:

RIMMER: 6:47. Not a bad little time for the mile. Pity I was only doing the 300 metres.

Of course, it’s not just Red Dwarf. How about this sketch from the first episode of Grant Naylor’s Radio 4 sketch show Son of Cliché (TX: 23/8/83), and “20 Golden Indian Restaurant Tracks”?


Download “20 Golden Indian Restaurant Tracks” (MP3, 1:09)

Which bears a startling resemblance to this Spitting Image sketch from Series 2, Episode 10 (TX: 17/3/85), where KGB-TEL promise “20 Golden Pieces of Sombre Music”:

The rewrite on that sketch is fascinating in its own right, taking the same basic idea – how foreign music can sound identical to untrained ears – and adds a whole extra layer of political jokes. I don’t have writing credits for individual sketches here, but it wouldn’t surprise me if other writers were involved.2

Either way, as a fan of Grant Naylor’s work, it’s a very odd feeling to watch Spitting Image, and see shards of their earlier and later work suddenly pop up. And it’s also proof that people who say they wouldn’t bother watching the show as the topical references mean it’s “dated” – and this isn’t a straw man argument, I have literally seen exactly that – are somewhat missing the point.

Because the above examples show both a topical joke being re-used in a decidedly non-topical way… and a non-topical joke being transformed into a topical one. It’s all part of the same thing. Which is a far more fascinating realisation than merely sulking about a reference to Zola Budd.


  1. In all these posts about Spitting Image on Dirty Feed, I’m going by the DVD numbering for the series, rather than Mark Lewisohn’s rather different numbering in the Radio Times Guide to TV Comedy. In particular, Lewisohn states there are two different series in 1984 rather than one, and ditto in 1986. The series numbers aren’t really that important anyway; just go by the TX dates. 

  2. Possibly Hislop and Newman? 

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Freeze-Frame Gonna Drive You Insane, Part One

TV Comedy

Part One • Part TwoPart ThreePart FourPart Five

On the 8th May 1984, at 9:15pm1, something very odd happened on BBC2. As Mike The-Cool-Person sat at the kitchen table, discussing the gang’s laundry situation, The Young Ones briefly flashed to the end caption of Carry on Cowboy. It then flashed back as though nothing had happened. “Dirty duvet, dirty mind.”, says an oblivious Mike.

This wasn’t just random Young Ones anarchy. It was intended as the start of a weekly running gag, with a proper pay-off and punchline at the end of the series. A punchline which would never end up being transmitted, and was cut from the final show just days before air.

This is the story of what happened to that punchline… and how a certain show called Spitting Image managed to cause even more trouble than usual.

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  1. At exactly 21:15:12, if my calculations are correct. 

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In Search of the Golden Brain

TV Comedy

I’ve never been very good at being a comedy geek. I think I’m supposed to have lain under my bedcovers at night, listening to obscure radio comedy. I never did that. I was also supposed to be addicted to double bills of Seinfeld and The Larry Sanders Show on BBC2 in the 90s. I never did that, either.

Spitting Image book cover

But if there’s one cliche I did manage to follow, it was my love for that rare thing these days: the TV comedy tie-in book. Even in the 80s and 90s, it was more difficult to rewatch the comedy you loved than it is now; at the very least, it was far more expensive. Books were your way to stay in touch with your favourite show. And among a certain demographic at least, something like Bachelor Boys seems quoted almost as much as The Young Ones itself these days.1

Less talked about perhaps, was the series of Spitting Image books released in the second half of the 80s. (Ownership of which got me a conversation with a girl in secondary school, which is more than most books did for me at the time.) And out of all of them, the very first from 1985, The Appallingly Disrespectful Spitting Image Book, is the one I have the fondest memories of. After all, how can you resist a book which includes this?

TV Times parody

ITV
Thames

7.00 Carry On Up The Rectum
SID JAMES
CHARLES SCREAMER
KENNETH NOSTRILS
DORA BOOBS
LIZ BOOBIES
JULIE BREASTS
FATTIE JAQUES
and starring Barbara Windsor's saggy old bum.

A chance to welcome back yet again, yet again, another batch of the highspots from this specially re-edited version of the other re-edited version based on the films no-one ever went to see.
This week - some of the best jokes about bottoms.
Director Pratt Fall
Producer Walter Herzog
Thames Television

7.30 Coronation Street
Once again, actors from Oldham Rep get the chance of some steady money.
For cast, see Wednesday
Producer Bill Killstar
Grandad TV

8.00 Closedown
(Anglia area only)

8.30 World in Action
This week, the award-winning team investigates the growing unrest on Monday nights at 8.30, when there's only this and PANORAMA on the other side.
Producer Oxford Hyphen-Cambridge
Granada TV

9.00 Quincy
Jack Klugman
When police pathologist, Quincy, examines the body of a naked girl, the trouble starts because she's still alive.
Hubert Angry Bad Tempered Boss
Sid Reasonable Quincy's Chinese Chum
LWT

That Quincy joke is perfect.

Still, among all the hilarity, one aspect of the book intrigued me. Because along with all the parodies of everything under the sun, there was one part where I just couldn’t figure out whether it was a joke… or whether it was real.

Decades later, we can finally decipher it. But we need to take a little detour first.

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  1. Who farted?, My nob’s bigger than Heathrow Airport, and That-cher. There you go, I think I’ve covered everything. 

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Join the Dots

TV Comedy

It’s odd how things in your life can suddenly connect, completely unexpectedly.

Take the Red Dwarf episode “Timeslides” (TX: 12/12/89), which I’ve already written about recently. Short version of the plot: Kryten finds some photographic developing fluid which has mutated, and it now makes photographs come to life. Interestingly, this is one of the few times the series actually uses the fact things have been sitting around on the ship for three million years, and odd things might happen during that time.

But before we get into the meat of the episode proper – Lister going back and changing his own history – we get a series of gags about the kind of things you could do with the concept of living photos. So as well as causing trouble at Rimmer’s brother’s wedding, or pondering what they could do with a set of naughty beach photographs, we get the following amusing idea.

What if Lister had sent some photos to be developed, and got someone’s skiing holiday snaps back by mistake?

The official Red Dwarf site offers the following amusing titbit about this scene:

“But even the writers aren’t infallible, as Timeslides clearly proved. As production on the episode began, the scene where Lister claims he got somebody’s skiing holiday picture back by mistake was discovered to have an error by none other than Craig. The skiers had scripted lines about how they got Lister’s rather scary birthday snaps – which would have been fine, except, at that point in time, the skiers would not have received them yet. The lines were summarily cut.”

Very good Craig, well done. But this is no longer my favourite fact about this scene.

*   *   *

Recently, I’ve been doing some research on the very first Spitting Image book, published in 1985. Not that it was new to me. It was a favourite of mine as a teenager in the 90s. I once lent a girl my copy of it in one of my last years at secondary school, who I then proceeded to fail to have sex with.1

Now, I knew that Rob Grant and Doug Naylor wrote Red Dwarf; even back then, I was as interested in who wrote something as who starred in it.2 I also vaguely knew that they had something to do with Spitting Image, and clocked their names mentioned in the book. These days, I know all about how Grant Naylor essentially waded in halfway through Series 1 of Spitting Image and saved the show, but I didn’t really know the details at the time.

Nor did I notice the following. One of the double page spreads in that first Spitting Image book is a parody of teen photo story magazines; specifically, My Guy. They did a bloody good job too; the layout is identical. Click/tap for a bigger version:

But hang on, what’s that silliness, happening right at the end of the strip?

Yes, the story falls apart, because… the wrong film came back from the chemist, and they got some skiing holiday snaps instead!

Which is fascinating for all kinds of reasons. Partly because of something else I posted about recently; about how easily some of Red Dwarf‘s supposedly science fiction ideas turn out not to be rooted in science fiction at all. It’s also interesting because it specifically marks the photo story parody as being at least partially the hand of Grant Naylor; none of the individual pages in the book have author credits.

But most of all, I love it because I’ve always loved that Spitting Image book. Like The Young Ones spinoff book Batchelor Boys, it was part of my comedy education growing up; a way of experiencing the show without the cost of endless blank tapes, or expensive commercial videos. Yet somehow, I’d never linked that skiing joke in the photo story to the Red Dwarf moment before, despite the knowledge that Grant Naylor worked on both shows. A brand new path suddenly opened up in my brain, connecting two things completely unexpectedly.

I find it utterly delightful.


  1. Most of my teenage anecdotes end like this. I did once lend a girl a copy of Craig Charles’ The Log, in exchange for a feel of her breasts. This is the best thing that book ever achieved for anybody. 

  2. If I’m honest, it still bemuses me today that everybody doesn’t think like this. 

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Medium, Message, Etc

TV Comedy

Right now, I’m buried in a load of research on early Spitting Image. In particular, I have been carefully examining an original off-air of Series 1, Episode 11 (TX: 10/6/84), for reasons which will prove extremely interesting. But we’ll get to that in its own sweet time.

Instead, I want to talk about the two sketches in this episode before and after the ad break. Before the break we get our very first look at the puppet of Diana, Princess of Wales, who had hitherto just been heard off-screen. After the break, we get the ad parody “There’s an indifference at McGregor’s you’ll enjoy”, about the contemporary head of the National Coal Board, Ian MacGregor. The miner’s strike had started just three months previously.

Below is the sequence as presented on the DVD, released in 2008:

The link the sketch draws between the Scottish-American MacGregor, and applying certain American business practices to the UK, gives it a little more depth than a fair number of ad parodies manage.

While it’s obvious that the McGregor’s sketch is a McDonald’s parody, and of a very famous ad campaign which had been running for years, it’s still startling to compare an ad from the actual campaign, and realise the jingle really is virtually identical.

Finally, let’s take a look at this sequence in Spitting Image as it originally transmitted – ad break fully intact – on LWT in 1984:

And all of a sudden, what the production was doing with the McGregor’s sketch is obvious. By putting it at the start of Part Two, it’s right up against a load of other ads, and feels part of them. I highly suspect that it’s only the Spitting Image logo at the beginning keeping the thing compliant with IBA rules. What was merely amusing on DVD starts to feel genuinely subversive when viewed in its originally broadcast form.

Now sure, if you’re actually thinking about the material, you could make the link anyway. It is easy to forget that back in 1984, you didn’t tend to get trailers for other programmes during the centre ad breaks like you do now, which would completely ruin the effect. But if you did remember that, you could easily put two and two together and understand what the programme was up to.

But it’s one thing knowing that logically. It’s another actually seeing the effect it has on the show. It’s the difference between having merely having the facts at your disposal, and feeling them. Original off-airs for Series 1 of Spitting Image are very difficult to come by. Things like this give me a new appreciation for just how cheeky the show was being at this point.

And it’s a reminder that when making comedy, you need to consider how everything feeds into it. Context is vital. If you can get the format of your chosen medium to add meaning which is impossible to achieve in any other way, then so much the better.

With thanks to Nigel Hill for the original recording of this episode of Spitting Image.

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