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I Hate Doing Research.

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It’s January 1999, and Ronald D. Moore – writer/producer on Star Trek: Deep Space 9 – is chatting on AOL, answering fan questions about the show.

One particular question catches my eye. You don’t need to know the actual storyline, or have watched any of the episodes – that isn’t the important bit here.

Ron, I read on the boards that there was a scene in “To the Death” in which Weyoun somehow slipped Odo some virus that eventually resulted in his having to return to the Link in “Broken Link.” I read that this ended up on the cutting room floor. Is this true or just a wild rumor?

It’s just a rumor.

Now, one delightful thing about DS9 is that – unlike most TV shows – every single script is available for us to read. Not a boring transcript. The actual script, as used in production, including cut material, and the scene descriptions. Which means we can check and see if Moore is correct in this instance.

So, in the script for “To The Death”, we can read the following1:

Weyoun looks at Odo for a beat, then gives him a good-natured clap on the shoulder. (In case anyone’s interested, when he touches Odo, Weyoun is purposely infecting Odo with the disease that almost kills him in “BROKEN LINK.”)

WEYOUN: Then it’s over. After all, you’re a Founder. I live to serve you.

And with that, Weyoun steps back into his quarters.

True, this scene didn’t end up on the “cutting room floor” – it’s in the episode as broadcast, just without the physical act of Weyoun clapping Odo on the shoulder. But the main thrust of how most people would interpret Moore’s response – that the episode never intended to contain Weyoun infecting Odo – is incorrect.

I very much doubt it was a deliberate lie. There’s certainly no obvious reason to try and hide anything. Moore almost certainly just forgot. That’s what happens when making TV shows; you can’t remember everything, there’s far too much important stuff jostling for position in your head. It’s completely understandable.

Still, the moral is clear. Don’t trust people’s recollections. Always trust the paperwork.

*   *   *

It’s 2020, and I have decided to trace every single piece of music used in The Young Ones, for some godforsaken reason. But not to worry. I have some production paperwork to help me out, which should list every track cleared for use in the show.

So let’s take a look at part of the sheet for the episode “Summer Holiday”:

Summer Holiday PasC sheet

Ah, “Tension Background”. Wonder what that was used for? Let’s take a listen, I’m sure all will become obvious.

Oh. That literally doesn’t appear anywhere in the episode at all. Brilliant.

To cut a long, tedious story short: the paperwork is wrong. Not entirely wrong; a track from the Conroy library album Drama – Tension is actually used in the episode. But the cut used is Track 3, “Chase Sequence”, not Track 15, “Tension Background”.

And that piece of detective work means that we can enjoy the full version of the music used when Neil goes all Incredible Hulk:

So, the moral is clear. Never trust the paperwork.

*   *   *

Have I mentioned that I hate doing research?


  1. Reformatted here for readability. 

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A Day in the Life of The Young Ones:
6th February 1984

TV Comedy

The Young Ones logo

It’s the 6th February 1984 in studio TC4, and Rik Mayall is having a circular saw aimed at his knackers.

I write a lot about comedy on here. Sometimes I write some very silly things about comedy indeed. Take, for instance, this analysis of one of the main sets in Blackadder Goes Forth, and how it showed up in various forms throughout the series. You have to have a certain kind of mind to find that interesting, and admittedly, part of it is a pure puzzle box mentality: “What bit goes where?”

But there is also something a little deeper going on there. For all the careful explanations of what writers were hoping to achieve with their work – which for the avoidance of doubt, is something I’m also extremely interested in – what I really want to be able to do is transport myself back, and be present in the room where the comedy was actually made. I get obsessed with wanting to know how a room felt, either in the writing, or in the shooting. Trying to figure out what piece of wood went where while recording a sitcom is an attempt at nothing less than time travel, however ludicrous that sounds.

Which is where your good old fashioned studio recording tapes come in. Whether it’s just clips in documentaries, longer extracts released as DVD extras, or bootlegs passed quietly around as though we’re all crack dealers, there’s nothing quite seeing the raw footage of how a show is made to get a sense of how things felt. An incomplete sense, of course. Nothing can quite replace a real time machine. But it’s something.

All of which preamble is leading up to this glorious video on YouTube. Two hours of raw studio recordings of The Young Ones, precisely none of which is officially sanctioned for release, and precisely all of which is fascinating.

Let’s be very clear about what the above footage represents. Each episode of The Young Ones – unusually for a sitcom of the era – had two days in the studio. These consisted of a pre-record day for the complicated technical bits, without an audience, followed by an audience record the very next day. The above footage is the bulk of the pre-record days for the episodes “Nasty” and “Cash”. The fact that these are the pre-record days explains the lack of audience laughter on the footage, something a few people in the YouTube comments are a little confused by. An edited version of this material would have been shown to the audience the next day on the studio monitors, along with recording the rest of the show in front of them, in order to get the laughs.

Not that what we are seeing is the edited footage that the audience would have seen, either. This is the complete – or near-complete – recording of the day, featuring multiple takes of the material. In short: this really is as close as we can get to skulking around in the studio for the day, silently watching as the team shoot one of the best sitcoms ever made. We even know exactly when everything occurs; the timecode at the bottom of the screen is literally the time of the recording.

There is no substitute for simply watching the video embedded above. But I thought it might be useful to write some notes to go alongside it. Here then, are some observations on the first half of the video, covering the pre-record day for “Nasty”. In particular, I’ve tried to identify any part of the script which don’t make it into the final edit, along with which of the multiple takes were actually used in the finished show.

Enjoy.

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The Young Ones Music Guide: Series Two

Music / TV Comedy

Madness and Mike

Previously on Dirty Feed, I took an in-depth look at the music used in Series 1 of The Young Ones. This turned out to be a surprisingly popular move. So, how about Series 2?

No preamble, let’s get on with it. Only pop music can save us now…

As before, there are some tracks that I just haven’t been able to identify yet. If you have any ideas, let me know in the comments or elsewhere.

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The Dull Religious Music Programme

Music / TV Comedy

Back in June, I published the first part of my Young Ones Music Guide, detailing every single piece of music heard in Series 1 of The Young Ones. Some of you may be wondering why the second part is taking so long to appear.

By way of explanation, I have a tale for you today. It is a thrilling tale, tracing a piece of comedy history, full of twists and turns, with a stunning climax. It also features Gregorian chanting and incorrect paperwork, but don’t let that put you off.

Here is how complicated tracing the specific music used in television programmes can be.

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The Young Ones Music Guide: Series One

Music / TV Comedy

Madness on the set of The Young Ones

STANDARD YOUNG ONES MUSIC FACT™: Did you know that the reason there’s a band performing in nearly every episode of The Young Ones is so the programme could claim to be a variety show instead of a sitcom, and get a higher budget?

Yes, I did. Right, now that’s out of the way, let’s move on, shall we?

While working on a different project recently, I found myself in need of a complete list of music used in The Young Ones. Sadly, nobody had already written this. After some research, it soon became clear why nobody had already written this.1 Of all the things I’ve done for this site, this has been one of the most difficult and complicated. The Young Ones has a lot of music in it, and a fair amount of it is obscure, sometimes absurdly so.

Not that I was starting entirely from scratch; I do own a copy of the official paperwork listing the music used in each episode. While this was of enormous help, the paperwork is also incomplete, and occasionally incorrect. Luckily, with a combination of that, my own ears, and an army of helpful people on Twitter, I’ve been able to identify the vast majority of the tracks used in the show. This includes chart music, library tracks, and specially written material by Peter Brewis.

There are a still few instances where I’ve unfortunately drawn a blank. These missing tracks are listed like this, along with an audio clip. So if anybody can identify any of these pieces, let me know in the comments, or drop me a line elsewhere. I will love you forever.

Let’s get going. This article covers Series 1; Series 2 will be dealt with separately, because I feel a responsibility not to over-excite you.

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  1. No, Wikipedia, a list of band performances in each episode does not count. 

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A Few Musings About the Young Ones Pilot

TV Comedy

Right now, I’m working on a piece for Dirty Feed which might be deemed Actually Useful™ – at least, for certain definitions of the word “useful”. A complete guide to every single piece of music heard in The Young Ones, right down to the most obscure library tracks which aren’t even mentioned in the paperwork.

But there’s something bugging me about the music used at the start of the very first episode, Demolition. Something deeply obscure, even for someone writing, say, a complete guide to every piece of music heard in The Young Ones. So rather than derailing that particular piece right at the beginning, let’s get all this nonsense out the way now.

Demolition, as I’m sure most people reading this will know, wasn’t just the first episode of The Young Ones. It was a pilot, in the true sense of the word – shot months before the rest of the series, in the hope of getting a commission. But the version which was finally broadcast in late 1982 isn’t the original edit of that pilot. A moment’s thought proves that it couldn’t be – the episode as we know it contains the regular title sequence for the series, which includes clips from episodes which simply hadn’t been made yet. I’ve been wondering what the original opening titles were for Demolition for nearly 20 years now.

Perhaps there is an echo of them left in the episode as transmitted, however. An echo that was staring me in the face for years, but I never even noticed until it was pointed out to me. The title card for the episode is highly unusual; nothing else like it appears anywhere else in the series. The gang, mildly awkwardly pasted into the windows of the original house:

Demolition title card

It looks like part of a title sequence, but it’s difficult to imagine this was created anew for the final broadcast version; it sticks out like a sore thumb compared to the rest of the episodes. Whether the entire pilot title sequence was just that shot with music over it as a placeholder, or something far more involved, is the kind of question which keeps me up at night.

We do have one other piece of information about that original pilot edit. A certain Peter Brewis used to have an unused version of the theme on his website, as originally used in the pilot. Sadly, his website has long since been deleted, but luckily someonee kept a copy and uploaded it to YouTube. And it’s fucking brilliant. (Visuals mocked up by the uploader, of course.)

I mean, who knows how it would have worked in the episodes as broadcast – it’s bloody long – but it’s lovely to hear for its own sake.

Which leads us – finally – to the oddity. Listen closely to the start of Demolition, as the strains of the broadcast title music start skipping, and then fade away:

[mejsaudio src=”https://dirtyfeed.org/wordpress/wp-content/uploads/2020/05/s1e1-opening.wav” volume=”false”]

The Young Ones, Demolition Opening

Nine seconds into that clip, just before the DJ starts speaking, there’s a snatch of a different version of the title music. It doesn’t sound like the broadcast version. It doesn’t sound like Cliff’s original version. It doesn’t even sound like the pilot version, as heard in the video above.

So… presumably, there was yet another version of the song, used for the original opening titles of Demolition? And once the opening title music was changed for the series, the new version was just pasted over the top… leaving that tiny fraction of the original version from the first pilot edit, to confuse us all decades later. Why else would it be there?

Yes, I am keeping myself busy during lockdown, why do you ask?

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The Young Ones: Building the Fourth Wall

TV Comedy

MIKE: This calls for a celebration. Vyv, throw another record player on the fire.
VYVYAN: Oh, certainly, Michael.
RICK: You bastard! That’s my record player!
MIKE: [to Vyv] You said it was your record player.
VYVYAN: No, I didn’t, Mike. I said “Let’s throw Rick’s record player on the fire, that’ll be good for a laugh.”
MIKE: Oh, yeah, that’s right. Yeah, it is yours, Rick.

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